Music – Kevin Trent Boswell

Area 25

The new album is available. It’s called Area 25.

Below, you’ll find links to get your copy, music videos from Area 25, plus the super-interesting, totally true, absolutely not made up backstory behind the album.

Area 25 - new music by Trent Boswell — The excellent cover art was generously provided by **Dorian Strange**.

Area 25 is available on…

Area 25 is also available on Napster and all the major music streaming services.

Follow the Trent Boswell page, Magus Music

Subscribe ☑️ to the Trent Boswell on YouTube

It really helps me out a lot when you give the videos a thumbs up 👍 leave a comment 💭 and share your favorites on your social media pages ♥️

Videos from Area 25

Unchanged

Into the Fold

Three Day Beard

Hopium Blues

Scorpio

Tact

War on Venus

I Wasn’t Using It

All Around

Upbeat Dance Number

We’re All Gonna Fade Away

At the Bottom

Mandala of Sand, Pt. 1

Trent Boswell Bio

Kevin Trent Boswell is a thing that once blinked briefly in and out of existence. It made noises and gestures while it lasted. The exact nature of its demise is unclear. Some sources say it collapsed beneath the weight of entropy and time. Other tertiary facts suggest the possibility that it was destroyed by a predator, an accident, or perhaps even by itself. The truth of the matter is unknown. Luckily, no one cares.

The Story Behind Area 25

Area 25 is a traveler’s atlas for navigating endless, winding caves, wormholes, cracks in reality, tears in the space-time continuum, black holes, abysmal hellscapes, and all of the most common types of bottomless pits that comprise the modern world.

The somber, dystopian audio guidebook is delivered over an eclectic musical soundtrack of rock, psychedelia, pop, funk, and dire expressions of poetic mental illness.

Area 25 is an exorcist’s manual for the perils of life on Earth for Homo sapiens. It catalogues the sundry catastrophes that plague the upright ape, namely those of poverty, depression, rejection of the tribe, and failed attempts at relationships, friendships, and spiritual endeavors.

Not for the faint of heart (nor the “feint” of heart), Area 25 is a dark, gritty, and gloomy telling of the myriad ways in which hominids undo themselves, rend each other asunder, and even casually rip apart their sole means of survival, the ecosystem in which they habitat. Odd beings, at best; horrible monsters, at worst.

Genesis

An ancient evil spirit was once trapped for centuries inside a dybbuk. Through the foolish mistake of some human, the demon escaped.

The ghoul found amusement in tormenting one particular human critter, who’s name was Trent Boswell. The tortures took shape by possessing the human with an inescapable obsession to create something called “Area 25.”

The demon wanted the brainless exploits of humans captured on record, so it would have something to laugh about, later; much like you might watch an episode of Seinfeld, even though you’ve already seen it several times.

The dark cruelty of this promethean ordeal rested in the fact that the human was entirely lacking the necessary resources for the production of a proper, commercially viable product. It was working only with a ten-year-old Macintosh computer, an old version of GarageBand, an inexpensive condenser mic, a FocusRite preamp, a cheap bass guitar, a pair of 3 1/2” monitors, and a nice Fender Stratocaster.

What the demon didn’t expect, is that the human would actually persist through said tribulations of substandard working conditions, and complete the project. Much to the demon’s surprise, the human finished the project, despite the lack of access to a professional recording studio, or the backing of a major record label.

The end result, a tabulation of human follies and foibles, will now provide the escaped beastie with comedic entertainment for the coming aeons, long after humans have disappeared from the planet; which should be anytime within the next couple of decades.

Score one for the infernal realm.

Magus72 on Patreon - the music, poetry, and madness of Kevin Trent Boswell — Magus72 on Patreon – the music, poetry, and madness of Kevin Trent Boswell

Three Day Beard

“Three Day Beard”- music video from the new Trent Boswell album, Area 25

“Three Day Beard” from Area 25, by Trent Boswell

Release date is February 22, 2023. Note, it may be up to a week before the album starts showing up on the various music platforms.

Available on all the major music streaming services, like Apple Music, Spotify, Amazon Music, YouTube Music, and many more.

Album cover art by Dorian Strange.

Lyrics for “Three Day Beard”

Standing in a soup line
Sucking on a tail pipe
Working on a new crime;
Against myself,
How many times
Can I kill myself?
Before I die?
God knows I tried
To find out

II.

I wandered where the women went
Thought my soul could be at ease
I never lost my good intent
But found myself wishing
I’d never had it at all
Never had it at all
Is that what you’d call
A fall from
Grace?

III.

Listen here man and wo-man alike
I won’t tell you about all the cigarettes
And the booze, and the other scenarios
I won’t tell you about all the hard feelings
And the petty larcenies
I won’t tell you about all the
Broken bones and homes
Rendered in brutal beatings
And I won’t even tell you about the sadness;
The heavy, “wish we weren’t here” melancholy
But I will tell you this:
There are people who walk this earth
Who are so beautiful, on the inside,
They make angels blush
And you…
Ain’t one of them

IV.

Allow me some time
To be angry
I’ll shout, not speak my mind
I’m hungry;
Don’t wanna eat

Forgive my trespass
I’m not sorry
Thought maybe you had grown,
Just a little,
I was wrong
But don’t worry
You will

You will
Just not with me

VI.

If you wipe the slate clean,
Just kick back and dream:
Never learn a thing
About what you see

VII.

My license to be blind
Has been revoked
Just in time
And now I see the work
Cut out for me

©️2023 Kevin Trent Boswell

Something in the Air – Links

I’m hesitant to do any regular promotion today because of everything that is going on in America. My heart goes out to women everywhere, as well as all of the other minority groups that SCOTUS has in their sights to attack and marginalize next.

There is nothing I could possibly say or do that could make any of that madness seem less important. I’ll do anything that I can to help, but I am honestly clueless about how I might help, beyond voting and just being a supporter of equal rights for all people. Try to stay strong and please, take good care of yourselves; it’s easy to slip into depression and bad habits when we see our nation slipping toward authoritarianism.

All that said, somehow, someway, life has to trudge on forward. As you might already know, my new album is out, and that means part of my job is to promote the stupid thing. Actually, it’s not stupid at all—I’m exceedingly proud of it. I think it came out great. I’d love for it to be some kind of small escape from the harsh realities we’re facing.

Something in the Air, a new music album by Trent Boswell — Something in the Air – Music by Trent Boswell

Below, I’m providing some links to the bigger music streaming services that carry the album. If you subscribe to any of these, you can do me a huge favor by liking the tracks on all the services you have access to. You can of course purchase the album or individual tracks through most of these outlets. That’s excellent because it helps me to make more music for everyone.

However, it’s incredibly easy (and free) to just favorite, like, thumbs up 👍 the songs you like, and to add them to your favorite playlists on outlets like Spotify.

If you really want to help out, really go the extra mile, you can share the album or individual songs to your social media pages.

There’s also the YouTube channel, which provides interesting visuals for the music.

Something in the Air

Existential art rock for perspicacious psychonauts and connoisseurs of eclectic, eccentric soundscapes, chock full of the beautiful terrible. Ten original songs about things which are replaced by new, theoretical things that never arrive.

2 cups of Rock and Roll, ⅓ cup of Pop Music, 3 heaping tablespoons of psychedelics, and one fifteen inch subwoofer of pure Funkadelia. Use responsibly. May interact with certain medications. May be illegal in your area.

Links

Amazon Music – Something in the Air

Apple Music – Something in the Air

Spotify – Something in the Air

Pandora – Something in the Air by Trent Boswell

YouTube Music – Something in the Air

iHeart Radio – Something in the Air

Deezer – Something in the Air by Trent Boswell

Napster – I don’t know the link because I’m not a subscriber, so I can’t look it up

There are plenty of other music services that carry the album; these are just the biggest ones.

And here’s a video of one the songs, track number three from Something in the Air. This one is called A Nice, Quiet Place to Die. Despite the seemingly dark title, it’s really a love song. It’s about loving other people, animals, and the Earth itself. Enjoy.

A Nice, Quiet Place to Die, by Trent Boswell

Hopium Blues

Hopium – an irrational, unfounded belief that a situation is going to improve, despite all evidence to the contrary.

New music from Trent Boswell

Here’s a new song. This one is a blues rock piece.

People usually say, “The vocal part isn’t loud enough,” so I made it nice and loud in this one. To my ears, I think it’s a little too loud. You can let me know in the comments what you think.

Either way, hit the thumbs up 👍 and share ⬆️ with your friends if you like it.

Subscribe ✅ ring the bell 🔔 and click “All.”

Lyrics are in the comments section of the video.

New album available on Saturday, June 8th

Something in the Air, new music from Trent Boswell

Bonus Material

Get exclusive material and help support the creation of more madness from Trent Boswell

Punk Rock, Climate Extinction

Some Punk Rock for the Existential Climate Crisis

This song is written in the vein of old school punk rock and thrash metal, bands like the Sex Pistols, Misfits, Motorhead, etc. It’s deliberately noisy and brash. I didn’t try to use proper singing technique on the track; it’s not supposed to be pretty.

“I Wasn’t Using It” is brand new; it’s not on the new album that is becoming available on June 8th. However, it’s available for download to patrons on the Patreon page.

It helps a lot when you like 👍 and subscribe ✅ on YouTube. Ring that stupid little bell 🔔 and click “all,” so you get notifications. Share the video if you like it. If you don’t, it’s okay; nobody will be around to hear it, soon enough 🤷‍♂️

Lyrics

Don’t feel bad the stores are empty
Or that food won’t grow anymore
It’s not your fault; you had no other planet
On which you could wage your war

Don’t feel bad that you broke it;
No, really, it’s OK
I really wasn’t using it
It was an old world anyway

I don’t need no oceans
Arctic ice or stupid bees
It was really nice of you
To cut down all those ugly trees

I don’t mind the heat
Going up past 105°
Anything to help with industry
I don’t really need to stay alive

Don’t feel bad that you broke it;
No, really, it’s OK
I really wasn’t using
It was an old world anyway

The world is on fire
Disaster at the door
But I’m running out of plastic
Can you please make me some more?

Don’t feel bad that you broke it;
No, really, it’s OK
I really wasn’t using
It was an old world anyway

Don’t feel bad that you broke it;
Seriously, man, it’s OK
It’s not like I was using the thing
It was an old world anyway

New Album on June 8th

Available June 8th on Amazon, iTunes, Spotify, and many other major streaming services

Support

Get exclusive bonus content at the Patreon page.

The Crockpot Cartel

This was a refreshingly positive experience. With every post I make on Instagram, I get hit up multiple times for paid promotions. It’s always a sleazy approach like “I love your stuff! Let’s work together!” even though you know they sent that message so fast, they couldn’t possibly have listened to the song.

This guy Bobby asked me on TikTok if he could review me on his show tonight. I said yes, but I was thinking, “Wait for it… he’s going to hit me with a dollar amount, a pay-to-play thing.” I don’t do those. But he didn’t ask for anything. He’s got a pretty intelligent approach to it, he offers pay-to-play, but also gives free plays and reviews, no questions asked.

A spin and review on The Crockpot Cartel Show

He played a few minutes of my song (the format is that each song gets roughly two minutes, so he can fit more into the show). He gave some kind feedback on it and all he asks is that viewers stay active in the chats, giving ratings for each song (he uses a 1-1,000 rating scale). Even though most of what got played was either hip hop or rap, he stayed open to other genres. My music is really different from everything else I heard tonight, but he gave it equal time and thoughtful consideration.

In the chats, it looks like people rated my tune anywhere from 600 to 1,000 with an average of maybe 800 or 900. One person said 2,000 but that’s not inside the range you’re supposed to use 🤷‍♂️🙃

I was pleased, especially since most of the people there were making hip hop music. He asked everyone to add constructive criticism to any songs that they rated low, and said no hating on anyone. The overall thing was a nice surprise for sure.

You can catch his show and submit your music for consideration at: Bobby Everything

New Album on June 8th

This album has the song on it that was reviewed in the show. The song is called “White Elephant.” You can watch the full video here:

Support

Get exclusive bonus material at Patreon

Special Offer

I’m offering a special package deal. Below, you’ll find a list of all my poetry titles, as well as my album Flagship. For just $72, I’ll send you a copy of one of each of the poetry books AND a copy of the Flagship CD.

That’s $39.21 off the cover price. Better still, this flat price includes FREE S&H.

The free shipping offer applies only as long as it’s in the continental U.S. If you want international shipping, you can contact me privately so that I can calculate a specific S&H price for you.

The poetry and music of Kevin Trent Boswell — all nine of my poetry books, plus a copy of the music CD Flagship, for one flat price and FREE shipping!

Time for Nothing $8.88

Chaos Comes Apart $7.77

on the page – poems for artists, writers, and other hooligans $12.50

Liber ex Liberi – the Book of Children $7.77

in the current $8.44

Dark Matter – Poems of Horror and Depravity $9.99

remission $12.72

Next $15.72

Out on the Killing Floor $18.42

Flagship CD $9.00

Total: $111.21

How To Take Advantage of the Deal

To get this deal, send $72 to

this PayPal link

Please make sure your shipping address is up to date in your PayPal account.

If you would like any of them signed, let me know in the notes with your purchase.

Time for Nothing, by Kevin Trent Boswell — The newest poetry title, Time for Nothing- Poetry, Prose, and Song Lyrics

New Album on June 8th

10 songs from Trent Boswell, coming June 8th

Preview trailer for Something in the Air

Something in the Air

available on major music streaming services like iTunes, Spotify, Apple Music, iHeart Radio, Amazon Music, and many others

Follow on:

All Around

“All Around” – music by Trent Boswell

I can’t find it I don’t see it
Though I’ve looked nowhere over
I was certain I’d have found it
By now

Thought I had it once
In my hand like a clover
But it flew away
Somehow

I’ve rubbed out my eyes
Squinting through the dark
But my eyes are too full
Of dreams

Want nothing so much
Thoughts of self not a spark
And I still do not know
What it means

Collecting each one
Not mine in a moment
All tomorrow’s
Forgotten yesterday

Yourself saw you with them
You know of the torment
A sideways hello
Didn’t say

Slippery little thing
So many to climb
Fall so fast and without
A sound

Never had your gift
Of yours all this time
Wrapped tight and spilling
On the ground

All time gone by
Flirting with the dawn
Seeking for a higher
High score

Those things which remain
To this day are long gone
These things are all things
No more

Don’t know why I bother
I bother not to know
It’s never too much
Not to say

A slight tinge of joy
In each thing to show
Everything never came
This way

The secret only shared
Never told never kept
All the smiles that cannot
Be got

Always not moving
Ever happy it wept
In the open it hides
Where it’s not

Close the window my friend
Despite how it looks
It is going to be
A fine day

For it has the good sense
In verbose old books
All words refraining
To say

A slight tiny sting
Four missing leaves of clover
Ending all applause
Curtain bow

Can’t find it don’t see it
Having looked all over
Was certain I’d have lost it
By now

Lyrics available in print:

Time for Nothing - Poetry, Prose, and Song Lyrics, by Kevin Trent Boswell — Time for Nothing – Poetry, Prose, and Song Lyrics, by Kevin Trent Boswell

Support This Work on Patreon

Remix – War On Venus

War on Venus – Original music by Magus

I posted this song before, but I have entirely remixed it. The new mix sounds far superior to the original. I also shortened the title from “Tales of War On Venus” to “War on Venus.”

Lyrics:

We sit, swapping war stories
We’ve barred all the windows and doors
Each of us covered in blood
Half of it mine, half of it yours

Two chairs, sitting face to face
The room is bare, otherwise
Suspiciously watching each other for
Sudden movements, any shift in the eyes

There’s a word for why we’re here
The trap, it fits us like a glove
Explains all the mess and the misery
And that four-letter word is love

Pause long enough to take a shot
From the big bottle of poison
We’re not much but we’re all that we’ve got
We sweat bullets and swear “You’re the one.
You’re the only one for me.”

Weapons at the ready, there in our laps
Fingers never far from the trigger
No one smiles, no one eats or sleeps
Shots of whiskey and resentment get bigger

It’s no mystery how or where
We both know who’s to blame, we insist
Each of us swearing that the other struck first
It was a case of love at first fist

There’s a word for why we’re here
This trap, it fits us like a glove
Explains all the mess and misery
And that four-letter word is love

©️2022 Kevin Trent Boswell

Video clips by:

and Alex Green, Timur Weber, Diva Plavalaguna, Gustavo Fring

God Willin’

God Willin’ from the album Something in the Air

God Willin’ – an original, psychedelic, art rock tune by Magus (Kevin Trent Boswell)

God Willin’

Devil jump on ya
When you least expect it
With blood lust in his eyes

But you’ll pull through
Like you always do…
God willin’ and the creek don’t rise

Tax man poundin’ hard on your door
Taking everything your money implies

Without turning to crime,
You’ll survive on a dime…
God willin’ and the creek don’t rise

Shacked up for love, but it didn’t work out
Ain’t it painful when the love all dies?

But you’ll get off the street
And find someone sweet…
God willin’ and the creek don’t rise

Until the Lord himself
Knocks you off your feet
You keep on swingin’
And you can’t be beat
God willin’

Screaming Boss Man Jack,
‘bout to break your back
All your time out the window flies

You just smile and pick up his slack
Because one day you’ll get him back…
God willin’ and the creek don’t rise

The rivers can flood
And the levies break
But you know you gonna do
Whatever it takes
God willin’

To pay your bills, you need a little scratch
So you borrow from Frankie
But there’s just one catch:
Frankie is one of them connected type guys

The juice is steep but you better not renege
Less’n you want ol’ Frank to break your leg
But you just know you’ll pay it off…
God willin’ and the creek don’t rise

Drowning sorrows, feelin’ bereft
You done lost a friend
And didn’t have but one left
And now that joker’s runnin’ around town,
Spreading rumors and lies

Such a double crossin’ can’t happen twice
Because after all, most folks is nice;
At least that is…
God willin’ and the creek don’t rise

Show ‘em a whole army
Can’t ring your bell
The devils, cheats and liars
They can all go to hell
God willin’

Vocals, bass, and all guitar parts by Magus

Blood In The Glass

“Blood In The Glass” – An original song by Trent Boswell. All guitar, bass and vocal parts, plus the recording and mixing of the song are by Trent Boswell. This is from the album Something in the Air.

Blood in the Glass from the album Something in the Air

Lyrics

You’d only call it a disaster
If you were trying extra hard to be nice
But all the niceties were crushed up for the mix drinks
Because the party was all out of ice

Hush, little baby.. don’t you bitch, now
We’ve laid waste to all your pesky fears
Just listen to the soft voice of certain death
How it whispers such sweet things in your ears

I woke this morning to the sweet sounds
Of everything falling apart
I can’t find the glue, anywhere I look
And I know better than to look in my heart

Doom arrived late night at the soirée
As I passed by, I kicked it in the clutch
I wasn’t mad at all about what it planned to do
Only that a few, it wouldn’t touch

Gentleman and ladies all line up now
To stab the eyes, each one has a go
Don’t waste your breath, explaining to them how
They only blind themselves… they already know

Don’t stop the show, it’s all too much fun
Admission price is all the useful parts
We sold it all off, dirt cheap, no reservations
And long ago, we emptied out our hearts

I remember sunny days and bird songs
But all these things are swiftly brushed aside
For the sounds of ourselves, the images of others
Both from which, we vainly seek to hide

I found a thousand beautiful reasons
Then, was told I needed one thousand and one
Things like joy, a heart full of kindness,
A chameleon face and a gun

Blood in the glass, broken glass on the ground
Broken glass and blood on the blade
Note the irony with a wry, little smile
It’s the finest contribution that I’ve made
Watch the smoke rising, a sigh of contentment
The finest contribution that I’ve made

It’s getting much harder to keep it all down
Throwing it away might be smart
When all of it is burned, black, full of poison
Most especially in the heart

I woke this morning to the sweet sounds
Of everything falling apart
I can’t find the glue, anywhere I look
And I know better than to look in the heart

We all know there’s nothing
There to find, in our hearts

Something in the Air by Trent Boswell ©2022 Kevin Trent Boswell — Something in the Air – Music by Trent Boswell

Album available at:

It’s also available on Napster and many other music streaming services

Trent Boswell YouTube channel:

White Elephant from the album Something in the Air

Support this work on Patreon. Click the picture below to check out the benefit tiers.

Thanks

Special thanks to the following people for contributions of video and photos:

As well as Timur Weber, Ron Lach and Esmanur Ekşi

Seven Spanish Angels

My cover of Willie Nelson’s “Seven Spanish Angels”, a wonderful song that he got Ray Charles to do a duet with him on. I don’t care for modern country music but I love Willie Nelson, Johnny Cash, Patsy Cline, Dolly Parton, Loretta Lynn… to me, that’s real country music.

The great jazz saxophonist, Charlie Patker would go into a bar and load up the jukebox with country songs, which puzzled his jazz cat friends. When they asked why, he’d say “It’s in the stories, man. Listen to the stories.” Nobody can tell a story like Willie Nelson. How much more true is that, when Ray Charles is helping him tell it?

I’m doing the vocal, playing all the guitar parts and the bass. I’ve never been much of a slide guitarist, so it’s not exactly amazing slide work but it came out just well enough that I didn’t ditch it entirely. Since I didn’t have Ry Cooder’s number, it will have to do.

You can support this work and download the song for free at:

https://Patreon.com/Magus72

Seven Spanish Angels

He looked down into her brown eyes
And said “Say a prayer for me”
She threw her arms around him
Whispered “God will keep us free”
They could hear the riders comin’
He said “This is my last fight
If they take me back to Texas
They won’t take me back alive”

There were seven Spanish Angels
At the Altar of the Sun
They were prayin’ for the lovers
In the Valley of the Gun
When the battle stopped and the smoke cleared
There was thunder from the throne
And seven Spanish Angels
Took another angel home

She reached down and picked the gun up
That lay smokin’ in his hand
She said, “Father please forgive me
I can’t make it without my man”
And she knew the gun was empty
And she knew she couldn’t win
But her final prayer was answered
When the rifles fired again

Words and music by Willie Nelson

Special Thanks

Special thanks to the following people for their video and photo contributions:

and Jeff Ross

Even In The Littlest Things

“Even In The Littlest Things”, from my book Dark Matter – Poems of Horror and Depravity

Even In The Littlest Things – from Dark Matter

With Samhain/Halloween/All Hallow’s Eve and Day of the Dead fast approaching, I’m doing readings from my book of horror poetry, called Dark Matter. Most of them will have some type of music and/or sound effects that accompany them, to lend to the experience.

However, for most of these, I won’t be doing anything fancy with the visual aspects. There will be some that have interesting video or photos to look at but this will be more of an auditory experience than a visual one.

This particular piece is different from most of the book, as it’s not really horror. I included it because it’s quite dark, indeed. I wrote it because it was a personal demon that I had to exorcise, get the poison out of my system. I personally find myself both fascinated and revolted by this poem, even though I’m the one who penned it.

This is because it deals with a heavy, human problem… that of deception and who can we trust? We’ve all found out the hard way that someone we cared deeply for was deceiving us about something. If that person meant enough to you, then you most likely considered it not just inconvenient or frustrating but literally horrible.

Lies can be even more efficient weapons than guns or knives, given the right circumstances and for this reason, Even In The Littlest Things rightfully earns its place in the book and into this series of recordings.

Even In The Littlest Things

Even in the littlest things, you lie
Promises of civil courtesies so small,
To fulfill them, one barely need try
Even in the littlest things, you lie

So many pieces to your hate
Some are hidden, some stand tall
None create joy, only weight
So many pieces to your hate

Your darkness is beyond blinding
Wondering if there’s any light at all
Mislabeling what I was finding
Your darkness is beyond blinding

A forgery, nearly perfect, passing
Mask chipped, the disguise did fall
Recidivist, apology count surpassing
A forgery, nearly perfect, passing

But hey, at least you got to try it
Labeled thing, you renamed it all
No one ever insisted you buy it
But hey, at least you got to try it

And now, we all feel less than good
Endless, useless, talking, small
Nothing gained, nothing goes as it should,
And now, we all feel less than good

Dark Matter – Poems of Horror and Depravity

Available on Amazon

Support for this work

Help me make more music, poetry and other kinds of madness, by becoming a patron.

Get early access, patrons-only content, music downloads, books, my undying love and backstage passes for the end of the world.

Full Moon Song

This is a song that I wrote in my early twenties but until now, no proper recording of it existed.

Trent Boswell – Full Moon Song

In the past year, I’ve learned several truckloads about “desktop music production” and how to get studio-quality recordings, using only my computer DAW (audio recording program) a basic, two input audio interface and a simple, Shure-58, dynamic microphone.

Also, I finally got a decent pair of studio monitors, so I can hear what is actually going on in the mix, without it being colored too much by the automatic tweaking of frequencies that is present in most speaker systems.

These factors combined, I’m now putting out recordings that are vastly superior to what I was producing last year. The latest material is sonically improved at least a couple hundred percent.

Lyrics

Sometimes I find out things about me
Just a little bit more than I’d ever want to know
Kind of put a damper on a real good mood
Just when I was sure I was on a roll

I was sure I was

In the face of greatness, we often feel small
Yeah, the Full Moon, she spits in my eye
And wouldn’t we all just love to know
Ooh, yeah… exactly why

I know I would

I look for answers in the other dimensions
I listen for stories that cannot be told
I seek someone to take my confessions
And if there is no one, then I want control

God knows, I could use some control

Control

If you could only see what I saw
You’d surely say that I’d lost my mind
But I know it’s true that all are one and one is all
I’ve seen it going on, all the time

Anyway you turn the question,
It cannot be answered
But anyway you turn the answer,
It cannot be questioned
I took a toothless profession in cancer
On a slighted word, best not to mention

No, no

And I look for answers in the other dimensions
I listen for stories that cannot be told
And I’ll do anything for direction
Anything short of sell my soul

If I’ve got one to bargain away

Away

from the album Something in the Air, by Trent Boswell, 2022

Support for the Work

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Special thanks to the following people for their video contributions:

Samphan Korwong https://instagram.com/kws636

A Nice, Quiet Place To Die

Magus – A Nice, Quiet Place To Die

I searched high and low, trying to find
A little comfort and peace of mind
Of all the places I’ve been, I have to say
This is the one where I’d most like to stay

Tracing over all my memory
I can’t recall any place I’d rather be
So many places, so many names
So many dreams that went up in flames

I’ve thought it over and I can’t deny
Your arms feel like a nice, quiet place to die
You feel like a nice, quiet place to die
I’ll wait right here and let it all pass by

Search all you want but you’ll never see
A place that’s always trouble free
This is as good as it ever gets to be
This right here, you and me

I’ve thought it over and I won’t lie
Your arms feel like a nice, quiet place to die
You feel like a nice, quiet place to die
I’ll wait right here and watch it all pass by

A nice, quiet place to die
A nice, quiet place to die
A nice, quiet place to die
Let it all pass on by

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Thanks

Special thanks for the video portion of this goes to:

Also: Pressmaster, Amina Filkins, Jyoti Pur and Ambient Nature Atmosphere

Tact

This is another song that I wrote in my early twenties but it’s only now getting a proper recording.

Magus – Tact

Back Story

I played this tune with various bands over the years but we never got a usable recording, because they were usually done in dive bars with poor acoustics. There was no separation of the instruments, only the chaotic din of drunken idiots in the background.

I do still have the original, cassette demo that I recorded on a reel to reel tape machine. I no longer have that machine [insert sadness and woe, here] but I have the recording. It’s ok but it’s just guitar and vocals and covered in that old school, analog tape hiss.

This is a full treatment, with rhythm guitar, lead guitar, vocals, bass, all of which I’m doing. The lead guitar part is a first take improvisation. I’ve never played lead over this song before, because I was always busy playing the rhythm and singing the lead part.

Actually, I’d never even thought about what I’d want the lead guitar part to sound like, because keeping a band together was trouble enough to keep my mind thoroughly occupied. So, I just hit record and rolled with it. I’m pretty pleased with the result.

It’s also got drums and hand percussion, performed by Stinky the Robot drummer. I’ve got him trained pretty well at this point. He eats a small amount of electricity, sleeps in his little box and he only bites occasionally, now; I’ve even removed the shock collar.

It’s really one of the most simple, straightforward songs that I’ve ever written. There’s a main riff and a slight variation on it, toward the middle. Then, there’s the verse part, a two-measure figure that repeats, over and over.

There’s three, short verses, no chorus and no bridge. That’s because it was originally a poem and I had no desire to adapt the words, just to flesh out the musical bits.

The rhythm guitar part really emphasizes the drums and bass anyway, thus making it more of a groove tune than a standard, pop formula type of song. The lyrics take up only about the first third of it and the rest is just an excuse to do what musicians love to do… jam.

Lyrics

Pilgrimage to the mountain,
On through a hurricane
Going to pray for my family,
And for those who lay in the clay
I don’t know who will hear me
But I will cry on the wind
Grant me strength and compassion
Give me self-discipline

Oh, the pressure and the pride, now
They can split your skull
When your best ain’t enough, now
All you can do is let go
A thousand years’ wisdom
Will set it all straight
A fool’s minute will erase it
Ah, but that is the Way

I was tied to a tree
And whipped like a dog
It’s where I learned to be free
And to trust in God
In the center of the mountain
You will find a ring
When you wear that piece/peace
No man’s words will sting

All words and music
©2021 Kevin Trent Boswell

Thank you!

Special thanks to my wonderful supporters on Patreon.

If you like what you hear and see, help me make more of my weird music, poetry and other, assorted types of madness, by becoming a patron today.

Patrons get early access, super neato, patrons-only content, music downloads, books, my undying love and backstage passes to the end of the world.

Magus - Kevin Trent Boswell on Patreon - Magus72 — Magus72 on Patreon

More special thanks, to the following for their video contributions:

As well as: Ivan Samkov, Mikhail Nilov, Joffray Jouve, Tima Miroshnichenko, Nitin Arya, Daniel Absi, Ron Lach, Timur Weber

Contact any of them about making a professional video or graphics for your next project. They deserve the work, as you can see.

Something Like A Rainbow

Something Like A Rainbow from Something in the Air

This is “Something Like A Rainbow ”, my first Orchestral Pop song.

It’s only a string section, not an entire orchestra. But what sets this apart from anything that I’ve ever done before is that, in addition to writing the chord progression, the guitar and bass parts and the lyrics, I also wrote the string part. That’s a new one for me.

And I didn’t just write something on guitar and then transpose it for strings. Instead, I wrote it the way a classical composer would.

To do this, I had to draw on the part writing rules that we learned in music theory class in college, something that I thought I’d never actually use. It was a long time ago, so I feel sure that I broke some of those rules in various places but remembering the basics (no parallel 4ths or 5ths, etc) got me through it.

Something Like A Rainbow

Lost and alone and wandering
Finding a true friend there, in the rain
Hold fast, together
Warmth in a lover’s arms
Loving each other heals the pain

A soft and gentle light, to lead the way
Something like a rainbow

So many things we were told we’d see
Most of them never came to be
But no one can explain the redeeming grace
That shines from the light in your face

A soft and gentle light, it leads the way
Something like a rainbow

And it shines into forever
Walk in its light, into forever

So many things we were told we’d see
Most of them never came to be
Still, no one can explain the redeeming grace
That shines when a smile is upon your face

A soft and gentle light, it leads the way
Something like a rainbow
Soft and gentle light, it leads the way
Something like a rainbow

And its light goes into forever
Ride the light into forever

Something in the Air by Trent Boswell — Something in the Air – Music by Trent Boswell

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Special Thanks

Much appreciation goes to the people who provided video footage:

Zuzanna Musial, Stefano Barbieri

Mandala of Sand – Part I.

This entire project is a wormhole born of grief. This is what I have been doing to channel the energy from the loss of a beloved pet, who was my best friend for sixteen years.

This is the dark music I needed to make, the underlying theme of which is time, structure and impermanence. The initial intention was a single, long piece of 12 minutes but it quickly turned into a much larger, longer and more complicated monster.

It’s been fraught with both artistic and technical difficulties at each and every step of the way and that’s perfectly fine with me, because every moment I’ve spent lost in this maze is a moment that I wasn’t keenly aware of a painful absence.

The music is heavy, dark and often angry. I’m not really a bass player but since I’m doing this by myself, I do the best I can with the bass lines.

The main guitar riff of the song is the only part that is rehearsed. The rest is all improvisation. I make multiple passes at the entire form and then string together the best parts of each one. As of right now, there are at least three pieces to this work; we’ll see how it goes.

Video segments provided by the following:

Ron Lach

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White Elephant

Here’s the music video for my song White Elephant.

Collegiate Definition

White Elephant
noun

1: an Asian elephant of a pale color that is sometimes venerated in India, Sri Lanka, Thailand, and Myanmar
2a: a property requiring much care and expense and yielding little profit
b: an object no longer of value to its owner but of value to others
c: something of little or no value

If I’d known all of this, back then,
I’d have learned how to leave
Arguing for something
In which you never believed

Hidden beneath gifts and gestures
And a sexy smile
Promises of forever,
Dipped in poison and guile

“Nothing is wrong.”
A comforting lie you could sell
I vaguely recall something about
Good intentions in hell

The dark witch’s oracle warned,
I shouldn’t let you pass
I taught myself to trust your love
And it bit me in the ass

White elephant on the bed
Whispers softly
“Come hide in the silence
Of secrets and shadows, with me.”

Mocked me at every chance,
Made sure everyone heard
For cruelty such as this,
I’m not sure that I know the word

Revenge is ill-suited to love
And so, I decline
The idea that mercy is weakness
Is yours and not mine

The way you spit venom
At those who tried to help you
I’ve no need to raise my bitten hand,
Your destroyer is you

The dark witch’s oracle warned,
I shouldn’t let you pass
I taught myself to trust your love
And it bit me in the ass

White elephant on the bed
Whispers softly
“Come hide in the silence
Of secrets and shadows, with me.”

All words and music
©2021 Kevin Trent Boswell

Support the creation of more music, poetry and madness by Trent Boswell, at:

Special thanks to the following people for providing the video footage and photos. If you enjoyed the visual aspects of the video, the credit is all theirs.

Intergalactic Funk #72

Yesterday was my birthday but don’t worry, you didn’t miss the party. I’m bringing the party straight to you:

Intergalactic Funk #72

Intergalactic Funk #72 from the album Something in the Air by Trent Boswell

It’s a 70s funk theme, set in outer space. So put on your best pair of corduroy bell bottoms and platform shoes, dip your head in a bucket of glitter and step out onto the launch pad. We’re about to take the funk to a whole new level.

Space, the final frontier. These are the voyages of the starship Funkalyze.

Something in the Air – Music by Trent Boswell

I don’t do drugs anymore… than, say, the average touring funk band.

—Bill Hicks

Whenever I think about funk music, it has a look… and that’s how it sounds.

—Erykah Badu

I come equipped with stereophonic funk producin‘ disco inducin´ twin magnetic rock receptors.

—Bootsy Collins

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Special thanks to the following people for providing the video footage and photos. If you enjoyed the visual aspects of the video, the credit is all theirs:

Engin Akyurt

cottonbro

Stef

ANTHONY SHKRABA production

JACK AND GOD IS GRACIOUS

Also: Pressmaster, Greta Hoffman, Askar Abayev, fauxels and Norma Mortenson

Hoochie Coochie Man (Slight Return)

Here is my cover of “Hoochie Coochie Man”. This tune was written by the preeminent Godfather of the Blues, Muddy Waters.

Muddy Waters, The Godfather of the Blues

The lyrics are heavily laced with references to the Hoodoo conjure tradition of the American South. One commonly misunderstood line is:

I got the John the Conqueror Root

I’m gonna mess with you

To mess with someone was to put roots on them, meaning to cast spells on that person.

The root known as John the Conqueror (Ipomoea jalapa) is widely regarded as one of the most powerful roots or Plant Spirits; if not the most powerful.

The root, all by itself, was potent and to possess it was to hold power to exert one’s will. However, to possess a mojo hand (aka, mojo bag), made and empowered by a knowledgeable rootworker, was an awe-inspiring thing.

It was not a simple matter to travel to Louisiana and get a mojo, especially for a Black person, who had less opportunities and greater obstacles. If you wanted the magick, the only way to get it was to find a skilled doctor.

This was a man or woman who knew how to coerce the Spirits to work on their behalf. First, you had to find a rootworker and then you had to convince them to make a hand for you and pay them whatever their fee was, no questions asked.

Any rituals they prescribed you or tasks assigned must be followed scrupulously. But once you had a mojo hand, especially one containing John the Conqueror, it meant that you were a force to be reckoned with.

I’m doing all the guitar, bass and vocal parts on this track. I added Slight Return to the title as a little tip of the hat to another major influence of mine, the immortal Jimi Hendrix. Hendrix was well aware of the lore mentioned here and his song “Voodoo Child (Slight Return)” references similar themes.

During the last verse, you’ll see a quote, placed over a pic of Muddy Waters. It comes from the movie Crossroads, starring Ralph Machio; not to be confused with the movie Crossroads, starring Britney Spears.

It’s the story of a young, classical guitarist who dreams of nothing but playing the Mississippi Delta Blues. He’s a classical music major at The Juilliard School of Music but is mostly obsessed with Robert Johnson, arguably the greatest blues man ever.

Robert Johnson, King of the Mississippi Delta Blues — Robert Johnson

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by Magus, at:

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Magus72 on Patreon; music, poetry and assorted madness

The images in this video are

1) historic pictures of famous, Hoodoo rootworkers and practitioners of Voodoo (or Voudon, Voodou, etc) and a few that just look the part.

2) pictures of myself playing guitar

3) personal photos and video of workings I’ve done

4) random, “bluesy” stuff that gives the appropriate, Mississippi Blues vibe or the Hoodoo/Voodoo, sorcery vibe

5) images from The Key of Solomon, a European magickal grimoire (which became highly important in Hoodoo.

6) stock footage, provided by:

Thanks to the following, for some of the images in the video.

https://commons.m.wikimedia.org/wiki/File:Voodoo_Altar_New_Orleans.jpg

Unchanged

This is the video for Unchanged. The .mp3 song download is available for patrons, over at Patreon.

It’s an original, definitely in the vein of my signature brand, a type of madness so strange that I had to give it a new name. I call it Purple Mind Licorice Music®️.

It combines alternative rock, funk, jazz, folk, blues, heavy metal and psychedelia. It’s a long name but Parliament already has Funkadelic and well, let’s face it, Alterna-Funk-N-Roll isn’t nearly as sexy as Purple Mind Licorice Music. Why yes, I do tend to talk about my music like James Brown talked about his. Thank you for noticing.

Side note, if you haven’t seen the film Get On Up, it’s surprisingly good. I’m a big fan of The Godfather of Soul, The Minister Of New New Super Heavy Funk (even if he was a total wacko, in real life). But for whatever reason, I didn’t think the movie would be all that great. I was delightfully wrong.

Besides, alternative is a lousy category. Any genre that contains Nirvana, REM, Alice In Chains, Weezer, Coldplay and Bush isn’t particularly helpful in guiding listeners’ decisions. They seriously need to scrap that garbage and revisit the drawing board.Back to the business at hand. I’ve played this song live in my band but we just never managed to get a decent recording of it.

I’m doing the vocal and all the bass and guitar parts. Here, I abandoned my memories of how we played it in the band and just started from scratch, all by myself, just me and my computer drummer, Stinky the Robot.

Fake It ‘Til You Break It

I’ve got a habit of improvising my lead guitar parts, as opposed to writing out a solo in advance. There are songs that I write solos for but those are special cases. Usually, I just improvise and keep the bits that I like.

If anyone takes issue with that, many years ago I read an interview with David Gilmour (Pink Floyd) in a guitar magazine. He said that’s the same process he uses in the studio.

He would take several, improv passes at a song, then cut and paste the bits he liked. Later, he’d go back and learn those parts for the live shows.

Comfortably Numb was done that way and I think that song did alright. It sold like over a thousand copies or something. Trust me… in my head, that joke was hysterical.

Of course, I also have a habit of keeping what I regard as being some of “the more charming mistakes“, for better or for worse. There’s one or two of those in the jam section at the end of this tune. I was tempted to re-record those bits but if they make me giggle, then they stay. Giggles are a precious commodity, not to be wasted.

Unchanged

These wounds, open and tender
Reveal your face to me
Into the chalice of my arms
The blood of your suffering flows free

It’s a mild mannered possession,
This waiting for the rain
Encumbered by the spell and
Groggy in the slumbering delay

A scrap of ribbon, fallen
From a lover’s hair
Found by the boots of boredom
Lament for things not yet dead

A piece of my soul floats there
Down in the puddle below
Somewhere in a watch pocket
An insane notion explodes

All words and music
© 2021 Kevin Trent Boswell

Thank You

Special thanks to the following people for providing the video footage and photos. If you enjoyed the visual aspects of the video, the credit is all theirs.

The Weight

This is my cover of the song “The Weight” by that excellent group known simply as The Band.

“It consisted of four Canadians and one American: Rick Danko (bass guitar, vocals, fiddle), Garth Hudson (keyboards, accordion, saxophone), Richard Manuel (keyboards, drums, vocals), Robbie Robertson (guitar, vocals), and Levon Helm (drums, vocals, mandolin, guitar).”

Source: https://en.m.wikipedia.org/wiki/The_Band

I’ve had a deep love of this song for as long as I can remember. It’s got a fun, upbeat vibe to the music but the lyrics (as the title suggests) are very heavy.

It’s a song about loneliness, disappointment and suffering. It’s about asking where you turn when all your best laid plans have fallen apart.

When I do a cover song, I usually try to reinvent it to some degree. I try to put something of my own mark on it. In this case, it didn’t feel right to completely reshape the song. There are really only two ways that I’ve wandered away from the original.

One is that I had to somehow fill up the empty space left by Garth’s piano playing. I chose to do that with harmony guitar parts, because guitar is my instrument and I gave them a simple and slightly somber quality, to accent the lyrics.

The other is that I shortened the chorus and used heavy effects on the vocal harmonies. I’m doing all the vocal, guitar and bass parts on this. The drums are by Stinky the Robot, my computer-based drummer, who is even more difficult to work with than a real drummer, if that’s even possible.

Gratitude

Special thanks to the following people for providing the evocative video footage that helps bring to light our social problem of the lost and disenfranchised. Homelessness and mental illness are entirely too prevalent and much more needs to be done.

We can’t be a healthy society unless we take care of our own and that means everyone, however unpleasant it might be to look into that chasm and think “There, but for the grace of God, go I.” We must do more… much more.

If you have the means to do so, please donate your money and your volunteer time to one or more of the many quality organizations that offer help to the homeless, the mentally challenged and to stray animals. Most of the people and animals on the street got there by bad luck and they deserve a second chance.

MART PRODUCTION

RODNAE Productions

Mental Health America (MHA)

Anastasia Shuraeva

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Sweet Jane

Here is my cover of The Velvet Underground’s excellent song, Sweet Jane.

The images in the video are “famous Janes”, with the exception of course of the two photos of the old Stutz brand motorcar, which is referenced in the lyrics.

All bass, guitar and vocals are me.

The drums are by Stinky the Robot… because that’s a good name for the drummer who lives inside my computer. He plays only what I program him to play, he’s drunk only half as often as a human drummer and he smells better.

The .mp3 song file is available for patrons, over at:

https://patreon.com/magus72

Hey Joe

Nothing like a crime of passion to spice up your Saturday night. Here’s a little bit of murderous rage, tucked into a nice, folk song for ya. This is “Hey Joe”, a live cover song video by my band, Magus & The Plastic Infinity.

Words and music to the original are by Billy Roberts. Obviously, Jimi Hendrix is who made the song famous.

Guitar and vocals – Trent Boswell

Support the creation of more music, poetry and madness by Trent Boswell, at:

https://Patreon.com/Magus72

Many thanks to the following, for the images in the video. You may or may not like the music but if you like the video, the credit for that is all theirs.

A Thang

Sometimes Nine was one of my old bands. This music video is for the song “A Thang”.

The song was mainly John’s idea but overall, still a collaboration. The lyrics were written by me. It’s called “A Thang” because it’s in the key of A and for a while, it had no name. We’d end up saying “Let’s play that A thing”. Goofy but true.

Lyrics

A Thang

Memory soothe my mind
With with endearments of a time
A terrain, cool and kind
Where we walked, unafraid

It’s hard to find a place
To keep your memory
I came to the crest of forever
The edge of the wheel, far gone

In search of things that I held in my hand
A palace of grandeur, it stands in a land
A far off way from here, a man with
Cool, candied celebrations… celebrations

Still on pause, no more
Now, lambent angels, by the score
No wounds beyond recall
And joy adorns my eyes

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Home At Last

Need something happy, bright, optimistic and hopeful? Well, I got somethin’ for ya.

If you’ve watched more than a couple of my music videos, then you’ve probably already figured out that I’m not exactly the go-to guy for upbeat, happy, cheerful stuff. No, I tend to gravitate towards a gritty type of realism that often steers drunkenly over the white line, into the oncoming traffic of blatant nihilism.

But I do have my occasional moments of peace, love, joy, the ultimate beauty of life and the universe… you know, all that happy, sappy shit. This is one of them.

So, get it while it’s hot, because I don’t usually serve this particular, gourmet dish in my joint. My greasy spoon typically sells cheeseburgers and beer, with a side of kick in the groin.

From the album Flagship by Trent Boswell. Full album and individual songs are available for streaming and/or purchase, at iTunes, Amazon Music, Spotify and other music services.

Trent Boswell – guitar, vocals

Words and music by Trent Boswell

Lyrics

Home At Last

Butterfly squadron, airborne children
Sweet love and flowers, rain from above
Tadpole navies trade guns for babies
There ain’t no death here, no lies, only love

I’m in the fields of forgiveness,
To the left of the sea
Towering castle awareness,
Summoning me

Butterfly squadron, airborne children
Sweet love and flowers, rain from above
Tadpole navies trade guns for babies
There ain’t no death here, no lies, only love

World is awoken; all are attending
With apologies spoken,
All wounds are now mending
High in the sky, we can see
What we’ve strived for…
We’re finally free

I’m in the fields of forgiveness,
To the left of the sea
Towering castle awareness,
Summoning me

Ocean spray wonderful
Freedom to laugh
We’re in the land now
We’re home at last

Support the Arts

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Immense Thanks!

Many, many thanks to the following, for the images in the video. You may or may not like the music but if you like the video, the credit for that is all theirs.

I truly appreciate what they’re doing because I wouldn’t be able to make these videos, without their help.

Super Lunar

INNORECORDS PhotoVideos

Pavel Danilyuk

Nomad Nation Videoproduktion

Taryn Elliott

ROMAN ODINTSOV

Ambient_Nature_Atmosphere

Ruvim Miksanskiy

Matthias Groeneveld

Kelly Lacy

Childhood’s End

Here’s a Pink Floyd cover I did. This is the song “Childhood’s End” and it’s from their album, Obscured By Clouds.

Trent Boswell – vocals, guitar, bass

Lyrics:

You shout in your sleep
Perhaps the price was just too steep
Is your conscience at rest
If once put to the test?
You awake with a start
To just the beating of your heart
Just one man beneath the sky
Just two ears, just two eyes

You set sail across the sea
Of long past thoughts and memories
Childhood’s end, your fantasies
Merge with harsh realities
And then as the sail is hoist
You find your eyes are growing moist
All the fears never voiced
Say you have to make the final choice

Who are you and who am I
To say we know the reason why?
Some are born; some men die
Beneath one infinite sky
There’ll be war, there’ll be peace
But everything one day will cease
All the iron turned to rust
All the proud men turned to dust
And so all things, time will mend
So the song will end

Words and original music written by Pink Floyd. I’m covering the song but I’m not charging anything for it, because seriously… who can afford Pink Floyd royalties?!

But you can support the creation of more music, poetry and madness by Trent Boswell, at:

https://Patreon.com/Magus72

Many thanks to the following, for the images in the video. You may or may not like the music but if you like the video, the credit for that is all theirs.

Aaron Burden

INNORECORDS PhotoVideos

Pleasant Stroll

From the album Flagship by Trent Boswell.

Album available for streaming at:

iTunes

Amazon

Spotify

Or get a signed copy of Flagship at:

ConjureWork.com

Trent Boswell – guitar, vocals

Ed Kopp – bass guitar

Brett Waress – drums, hand percussion

Words and music by Trent Boswell

Lyrics

Walking down that road
With your hand in mine
This world will be ours
Just give me some time

Walkin’ toward the sunset
No, they haven’t beat us yet
We will watch the sunrise
From the other side

When our time is done here
Then we will walk on
To where we will meet God
To teach us a new song

Everybody’s Happy
You know that everybody smiles
The road that we are walking
Is measured not in miles

Support the creation of more music, poetry and madness by Trent Boswell, at:

https://Patreon.com/Magus72

There are several tiers of support, each one with more benefits than the last, starting as low as $3 per month.

Many thanks to the following, for the images in the video. You may or may not like the music but if you like the video, the credit for that is all theirs.

Also: Tim Samuel, Gustavo Fring, Ketut Subiyanto, Keira Burton and swb1891 s

Tragedy

I met tragedy yesterday
On the south end, today
He smiled at me
Said “Walk this way”
He took my hand, said to me
“Welcome friend. You’ll be with me.”

Said “I’m pleased to know you.”
Said “I’m pleased to do you.”
Said “You may leave…”
“You will return.” He said
“You still smile, child…”
“But you will learn.”

I am no hope***

I said “I want my freedom.”
I said “I gotta be free.”
So, I told that man…
“Get the hell away from me.”
I want my life
I want my life
I want my life
Don’t need no tragedy

*** This is an unspoken lyric. It’s part of the original poem, included here for context.

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For all of the really cool footage, photography and visual special effects, a very special thank you goes to all of the following people:

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Space Oddity

David Bowie already captured the ideal, studio sound for “Space Oddity”. My version is quite different.

His original recording has the slick, studio mixing of the vocals and the instruments. The original gives all of the cool, background sound effects that give the impression of space travel. Bowie’s “Space Oddity“ is arguably a masterpiece.

Any attempt to re-create that would be an exercise in vanity, and one which is bound to end in failure and disappointment.

If it did somehow succeed, it would still be nothing more than a staid rehash of something that was already done and done incredibly well. So, I went the opposite way with this.

I think it’s safe to say that astronauts don’t get to take their guitars (if they have them) on space flights. But if they did… that’s what I wanted this to sound like.

I wanted to give the auditory impression of a lonely space traveler, Sitting inside a little capsule, out there, in the unknown. Therefore, The audio is nothing more than a guitar and vocal track.

It’s mixed in such a way as to sound small, like it’s being played from inside the rocket. It’s supposed to sound like it’s being transmitted on a frequency that the space traveler isn’t the least bit certain will ever be heard.

Much like the plaque that American astronauts placed on the Moon, all those years ago, it’s a statement to some thing, anything, that may be out there. It’s an isolated signal, announcing “I am here”, even if no one else ever knows that I was here. It’s the tree falling in the woods, with no one around to hear it.

The video attempts to capture what I can only imagine are the two predominant emotions astronauts must feel. One is the giddy, childlike exhilaration of exploring uncharted territory… “We’re going into space! We’re going to the Moon!”

The other is the dread, mortal fear of something going horribly, horribly wrong. When things go wrong in space, it’s no small matter. Errors in space often result in immediate, violent death.

Perhaps even worse, is the possibility of becoming stranded. It’s the fear of being all alone, with no possibility of rescue. It’s the real and present danger of being doomed to endless wandering, sitting and waiting to run out of oxygen, to run out of food and water… waiting to run out of hope.

I hope that you enjoy watching and listening to this as much as I enjoyed making it for you. If Mr. Bowie happens to be listening, on any frequency, then I sincerely hope that he enjoys it, as well. It’s also fitting that today, NASA set a new record for space exploration, with their helicopter on Mars.

My grateful thanks go to the following people, for providing the images that I used to (hopefully) convey these ideas. The musical performance will likely fall short of even the sparsest expectations. Yet, I believe that the visual imagery is more than enough to make it worth the four and a half minutes of your time. This is a credit which goes entirely to the photographers and videographers. The honor is all theirs.

Support the creation of more music, poetry and general madness by Trent Boswell at:

Patreon.com/Magus72

There are multiple levels and benefits available, to suit any budget, starting at just $3 a month.

Roll

Roll – A trippy, psychedelic journey through space and time, nothingness and everything-ness, being and non-being. Take the ticket, ride the ride.

Recorded live at Lucky’s, in Wilmington, NC, by Magus & The Plastic Infinity.

Trent Boswell – guitar, vocals

Skip Eames – drums

Wayne – bass

Words and music by Trent Boswell.

Lyrics

Roll

When you lose control
And door dogs yelp for your soul
The world just frays apart
But we know where to start
To pull it back together
And this time for the better
Now we know we must let her
Slip inside our minds
She protects us in the climbs
We climbed a little too high,
Passed through the fear to die
We know that space and time
Is not where we stand
Don’t you think we would understand?
If we were supposed to know
But here is the matter at hand
We know how to roll
We don’t need no control
Over all that we have known
We know how to roll

II.

The world it moves too fast
Then it moves too slow
And then it moves too fast
But don’t you think we know
The confusion that we cast
It all comes back together
But never quite the same
Now you’ve been and you know
I was there and I saw you roll
I watched you lose control
Over all that you had known
Watched you pull it back together
And this time for the better
Now you know you must let her
Slip inside your mind
She protects you in the climbs
You climbed a little too high
Passed through the fear to die
But we know that space and time
Is not where we stand
Don’t you think we’d understand?
If we were supposed to know
Well here is the matter at hand
We know how to roll
We don’t need no control
Over all that we have known
We know how to roll

Support the creation of more music, poetry and general madness by Trent Boswell at:

Patreon.com/Magus72

For all of the really cool footage, photography and visual special effects, a very special thank you goes to all of the following people:

Eugene Vasilevich

cottonbro

KoolShooters

Stef

Tunnel Motions

Dmitri Posudin

Rostislav Uzunov

Joseph

Thanks to each of you for doing what you do.

The Gold, It’s In The…

This song is a Pink Floyd song that we did. This one isn’t very well known, except by the most hardcore Floyd connoisseurs. The tune is from an album entitled More, which was the soundtrack to an even more obscure movie by the same name.

Recorded live by Magus & The Plastic Infinity, at a club in Wilmington, NC.

Trent Boswell – guitar, vocals

Skip Eames – drums

David Fleet – bass

Lyrics

Come on, my friends, let’s make for the hills
They say there’s gold but I’m looking for thrills
You can get your hands on whatever we find,
Because I’m only coming along for the ride

Well, you go your way, I’ll go mine
I don’t care if we get there on time
Everybody’s searching for something, they say
I’ll get my kicks on the way

Over the mountains, across the sea
Who knows what will be waiting for me?
I could sail forever to strange sounding names
Faces of people and places don’t change

All I have to do is just close my eyes
To see the seagulls wheeling
In those far distant skies
All I want to tell you, all I want to say
Is count me in on the journey,
Don’t expect me to stay

Music and lyrics written by Pink Floyd (Roger Waters, David Gilmour, Nick Mason and Richard Wright). All rights to the song belong to someone else, someone really, really rich.

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Into the Fold

Music video for “Into the Fold”. Song was recorded live by Magus & The Plastic Infinity, at a club in Wilmington, NC.

Guitar and vocals by Trent Boswell. All music and lyrics written by Trent Boswell.

Lyrics:

Into the Fold

Please bring me into the fold
I long for warmth from cold
I can’t seem to bear the load
And my anger like a stone

I’ve been let down again
They slip right in and call me friend
Lunged at again
I’d prefer another end

Before they leave, you know they lie
Infiltrate and try
To burn my hopes alive;
Cast my dreams aside

I need myself a family
That can protect; I cannot feed
The one I have is so in need

You see the way the story goes
The king is allergic to his clothes
The tragedy is known; it shows

I’ve no idea to ride
The coattails of another’s pride
But if it were to mean my hide
Suppose I’d give it half a try

It has come to seem to me
That the mafioso creed
Is a safe bet when in need
Of a haven in which to bleed

She will kiss and he will crunch
Her kiss hurts more, packs more punch
Unfortunately, not a hunch;
It’s all out to lunch

I need myself a family
That can protect; I cannot feed
The one I have is so in need

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Fear & Lies

Music video for “Fear & Lies”, a song from the album Flagship by Trent Boswell.

Lyrics:

Fear & Lies

Many are they
Who have whispered lies
Many are they
Who have made me despise
Many are the lies
And many who have heard
She knows that I could love her
If not for fear of that word

You know that I’ll try
Put a little sunlight in your eye
You know that I’ll try
Put a little shine in your smile
And you know that
You can come with me, anytime
But you know that I have fear
Of the fear and the lies

The album, Flagship, is available at:

Flagship, by Trent Boswell - original avant-garde rock music

iTunes

Amazon

Spotify

Or get your own, signed copy of Flagship over at Conjure Work.

Trent Boswell – all guitar parts and vocals

Ed Kopp – bass guitar

Brett Waress – drums

Tommy Brothers – audio engineering

All words and music by Kevin Trent Boswell, as well as album production.

Show Your Support

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Subscribe ✅ to get more of this kind of madness. Be sure to ring the little notifications bell 🔔 and select “all”.

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Join the Magus72 Music Mailing List.

Special Thanks To

For all of the really cool footage, photography and visual special effects, special thanks goes to the following people:

Also: C Technical, Ketut Subiyanto, Yan Krukov and Diva Plavalaguna

Latest Book Release

remission

Other Titles Available

Support more music, poetry and madness by Trent Boswell over at: Patreon.com/Magus72

The Poetry of Kevin Trent Boswell

More Information

YouTube music channel

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Magus & The Plastic Infinity

the music album, Flagship

Magus Music Facebook page

Music Streaming, Amazon

Music Streaming, Apple Music

Music Streaming, Spotify

Looking For A Way

Music video for “Looking For A Way”, a song from the album Flagship by Trent Boswell.

Lyrics:

Looking For A Way

I climbed like a monkey, up in a tree
Trying to find a piece of me
Way up in the branches so high
I found that I cannot fly… as of yet

But I’m looking for a way

I’m at fault for inciting the madness
And sometimes I can’t stop the sadness
But I’m learning to ride waves of joy
Toward manhood moves a boy

Looking for a way

I got dizzy and fell like a lion
Into the dust of Orion
Those stars; the ones up in the sky;
The one he made up in his mind,
The one that’s still looking

Looking for a way
And I haven’t quit yet

The album, Flagship, is available at:

iTunes

Amazon

Spotify

Or get your own, signed copy of Flagship over at Conjure Work.

Trent Boswell – lyrics, all guitar parts, vocals, album producer

Ed Kopp – bass guitar

Brett Waress – drums and hand percussion

Tommy Brothers – audio engineering

Show Your Support

You can help by hitting the thumbs up 👍 button, directly on the YouTube page.

Subscribe ✅ to get more of this kind of madness. Be sure to ring the little notifications bell 🔔 and select “all”.

Support more music, poetry and madness by Trent Boswell over at: Patreon.com/Magus72

Special Thanks To

For all of the really cool footage, photography and visual special effects, special thanks goes to the following people:

Tima Miroshnichenko

Lucas Pezeta

Wendy Wei

KoolShooters

Wellcome Library

Also, Michael Burrows, Li Sun, Ron Lach, Samson Katt, Pressmaster and PhotoMIX Company.

Latest Book Release

remission

Other Titles Available

Support more music, poetry and madness by Trent Boswell over at: Patreon.com/Magus72

The Poetry of Kevin Trent Boswell

More Information

YouTube music channel

Instagram

Tumblr

Magus & The Plastic Infinity

the music album, Flagship

Magus Music Facebook page

Music Streaming, Amazon

Music Streaming, Apple Music

Music Streaming, Spotify

Perception

You may think you’ve seen this one but you ain’t. The new, improved and at least 333% stranger version of “Perception” from the album Flagship by Trent Boswell.

Lyrics:

Perception

What’s a man supposed to do?
It’s hard today just not to lose
So, when I’m down and beaten blue
I look around and think of you

Sink into my contemplation
Answers come with concentration

And strong opinions, well I have mine
And you may find me blind
But I don’t mind because it’s true;
I’ve never needed to see you

Walking ‘cross the field,
I realize that nothing’s real
No pain or joy

Out on the lawn the past is gone
I simply can’t be wrong anymore

Was paid a visit, a strange man
He said that Jesus could lend a hand
Now many a man can’t see the road
Or make a stand on his own

If God is Love, then Love is God
And you agree without a nod

The album, Flagship, is available at:

iTunes

Amazon

Spotify

Or get your own, signed copy of Flagship over at Conjure Work.

Trent Boswell – lyrics, all guitar parts, vocals

Ed Kopp – bass guitar

Brett Waress – drums

Show Your Support

You can help by hitting the thumbs up 👍 button, directly on the YouTube page.

Subscribe ✅ to get more of this kind of madness. Be sure to ring the little notifications bell 🔔 and select “all”.

Support more music, poetry and madness by Trent Boswell over at: Patreon.com/Magus72

Special Thanks To

For all of the really cool footage, photography and visual special effects, special thanks goes to the following people:

cottonbro

Johannes Plenio

Stef

Mikhail Nilov

KoolShooters

Mikke House

Frank Cone

Anni Roenkae

Fiona Art

Tima Miroshnichenko

Axel Vandenhirtz

As well as Pressmaster and Erin Li.

More cool, weird, poetic, philosophical, musical and sometimes disturbingly odd stuff at:

https://KevinTrentBoswell.com

https://ThePlasticInfinity.com

Baby, Lover, Honey, Darlin’

Baby, Lover, Honey, Darlin’ from the album Flagship by Trent Boswell.

Album available at:

iTunes

Amazon

Spotify

Or get your own, signed copy of Flagship over at Conjure Work.

Become a Patron

Support the creation of more music, poetry and madness by Trent Boswell at:

Patreon.com/Magus72

Trent Boswell – lyrics, all guitar parts, lead vocals and backing vocals

Ed Kopp – bass guitar

Brett Waress – drums

Frank Cobb – hand percussion

Steve Gallian – backing vocals

Lyrics:

Baby, Lover, Honey, Darlin’

Baby, lover, honey, darlin’,
When you gonna do right by me?
You know it ain’t funny,
It ain’t about that money
It’s all about you and me

Well, now you’re gone away
Well, now you’re gone away
Well, now you’re gone away

Baby, lover, honey, darlin’,
When you gonna put out that flame
You know you can’t live on cheap cigarettes
And poorly cut cocaine

Well, now you’re gone away
Well, now you’re gone away
Well, now you’re gone away

And it’s just like momma used to say…
There’s gonna be rain some days

Baby, lover, honey, darlin’,
When you gonna take a look and see
You had it all in the palms of your hands
When you gonna do right by me?

Well, now you’re gone away
Well, now you’re gone away
Well, now you’re gone away

And it’s just like momma used to say
There’s gonna be rain some days

Baby, lover, honey, darlin’,
When you ever gonna come down?

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More cool stuff at:

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Pure

Video for the song “Pure” from the album, Flagship.

Pure

Stole me away into the black of my mind
Brought me near the shore of insanity
But then she came and swept me away
Now we’re smiling; nothing left to say

God is good; God is great
I’m in love and I won’t hesitate
To tidy my mind and get my soul straight
‘Cause there’s nothing I want
That Love can’t create

And of knowing you,
I hope this is only the dawn

There’s only one thing left to be done
That is to take our place in the sun
Beneath the bright sky
We’ll commandeer the breeze
And drift through the universe
Like autumn leaves

Of the world that’s brought me down
You’ve been my cure
Because you love me and challenge me
To be pure

Support the creation of more original music and poetry from Kevin Trent Boswell, at:

https://www.patreon.com/magus72

Listen to and purchase the album at:

YouTube Music

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Subscribe to the YouTube channel:

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