Full Moon Song

This is a song that I wrote in my early twenties but until now, no proper recording of it existed.

Magus – Full Moon Song

In the past year, I’ve learned several truckloads about “desktop music production” and how to get studio-quality recordings, using only my computer DAW (audio recording program) a basic, two input audio interface and a simple, Shure-58, dynamic microphone.

Also, I finally got a decent pair of studio monitors, so I can hear what is actually going on in the mix, without it being colored too much by the automatic tweaking of frequencies that is present in most speaker systems.

These factors combined, I’m now putting out recordings that are vastly superior to what I was producing last year. The latest material is sonically improved at least a couple hundred percent.

Lyrics

Sometimes I find out things about me
Just a little bit more than I’d ever want to know
Kind of put a damper on a real good mood
Just when I was sure I was on a roll

I was sure I was

In the face of greatness, we often feel small
Yeah, the Full Moon, she spits in my eye
And wouldn’t we all just love to know
Ooh, yeah… exactly why

I know I would

I look for answers in the other dimensions
I listen for stories that cannot be told
I seek someone to take my confessions
And if there is no one, then I want control

God knows, I could use some control

Control

If you could only see what I saw
You’d surely say that I’d lost my mind
But I know it’s true that all are one and one is all
I’ve seen it going on, all the time

Anyway you turn the question,
It cannot be answered
But anyway you turn the answer,
It cannot be questioned
I took a toothless profession in cancer
On a slighted word, best not to mention

No, no

And I look for answers in the other dimensions
I listen for stories that cannot be told
And I’ll do anything for direction
Anything short of sell my soul

If I’ve got one to bargain away

Away

Away


All words and music
©2021 Kevin Trent Boswell


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Thank You

Special thanks to the following people for their video contributions:

cottonbro

Sosa Films

Mikhail Nilov

Tom Fisk

Sarowar Hussain

Anastasia Shuraeva

MART PRODUCTION

Space Space

sabrina

Samphan Korwonghttps://instagram.com/kws636

Osman

Frank Cone

Endiae Genius

Gaurav Joshi

Vishva Patel

Lay-Z Owl

Aviv Perets

Something Like A Rainbow

Something Like A Rainbow

This is “Something Like A Rainbow”, my first Orchestral Pop song.

It’s only a string section, not an entire orchestra. But what sets this apart from anything that I’ve ever done before is that, in addition to writing the chord progression, the guitar and bass parts and the lyrics, I also wrote the string part. That’s a new one for me.

And I didn’t just write something on guitar and then transpose it for strings. Instead, I wrote it the way a classical composer would.

To do this, I had to draw on the part writing rules that we learned in music theory class in college, something that I thought I’d never actually use. It was a long time ago, so I feel sure that I broke some of those rules in various places but remembering the basics (no parallel 4ths or 5ths, etc) got me through it.

Something Like A Rainbow

Lost and alone and wandering
Finding a true friend there, in the rain
Hold fast, together
Warmth in a lover’s arms
Loving each other heals the pain

A soft and gentle light, to lead the way
Something like a rainbow

So many things we were told we’d see
Most of them never came to be
But no one can explain the redeeming grace
That shines from the light in your face

A soft and gentle light, it leads the way
Something like a rainbow

And it shines into forever
Walk in its light, into forever

So many things we were told we’d see
Most of them never came to be
Still, no one can explain the redeeming grace
That shines when a smile is upon your face

A soft and gentle light, it leads the way
Something like a rainbow
Soft and gentle light, it leads the way
Something like a rainbow

And its light goes into forever
Ride the light into forever


All music and lyrics ©2021 Kevin Trent Boswell

Support This Work:

Magus72 on Patreon
Magus72 on Patreon

Special Thanks

Much appreciation goes to the people who provided video footage:

Mikhail Nilov

cottonbro

Anna Shvets

Anastasia Shuraeva

Miguel Á. Padriñán

PNW Production

Mikita Yo

Marc Onana

Alex Kad

Zuzanna Musial, Stefano Barbieri

Hoochie Coochie Man (Slight Return)

Here is my cover of “Hoochie Coochie Man”. This tune was written by the preeminent Godfather of the Blues, Muddy Waters.

Muddy Waters, The Godfather of the Blues
Muddy Waters, The Godfather of the Blues

The lyrics are heavily laced with references to the Hoodoo conjure tradition of the American South. One commonly misunderstood line is:

I got the John the Conqueror Root

I’m gonna mess with you

To mess with someone was to put roots on them, meaning to cast spells on that person.

The root known as John the Conqueror (Ipomoea jalapa) is widely regarded as one of the most powerful roots or Plant Spirits; if not the most powerful.

The root, all by itself, was potent and to possess it was to hold power to exert one’s will. However, to possess a mojo hand (aka, mojo bag), made and empowered by a knowledgeable rootworker, was an awe-inspiring thing.

It was not a simple matter to travel to Louisiana and get a mojo, especially for a Black person, who had less opportunities and greater obstacles. If you wanted the magick, the only way to get it was to find a skilled doctor.

This was a man or woman who knew how to coerce the Spirits to work on their behalf. First, you had to find a rootworker and then you had to convince them to make a hand for you and pay them whatever their fee was, no questions asked.

Any rituals they prescribed you or tasks assigned must be followed scrupulously. But once you had a mojo hand, especially one containing John the Conqueror, it meant that you were a force to be reckoned with.


I’m doing all the guitar, bass and vocal parts on this track. I added Slight Return to the title as a little tip of the hat to another major influence of mine, the immortal Jimi Hendrix. Hendrix was well aware of the lore mentioned here and his song “Voodoo Child (Slight Return)” references similar themes.

During the last verse, you’ll see a quote, placed over a pic of Muddy Waters. It comes from the movie Crossroads, starring Ralph Machio; not to be confused with the movie Crossroads, starring Britney Spears.

It’s the story of a young, classical guitarist who dreams of nothing but playing the Mississippi Delta Blues. He’s a classical music major at The Juilliard School of Music but is mostly obsessed with Robert Johnson, arguably the greatest blues man ever.

Robert Johnson, King of the Mississippi Delta Blues
Robert Johnson

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Magus72 on Patreon; music, poetry and assorted madness

The images in this video are

1) historic pictures of famous, Hoodoo rootworkers and practitioners of Voodoo (or Voudon, Voodou, etc) and a few that just look the part.

2) pictures of myself playing guitar

3) personal photos and video of workings I’ve done

4) random, “bluesy” stuff that gives the appropriate, Mississippi Blues vibe or the Hoodoo/Voodoo, sorcery vibe

5) images from The Key of Solomon, a European magickal grimoire (which became highly important in Hoodoo.

6) stock footage, provided by:

Thanks to the following, for some of the images in the video.

cottonbro 

Artem Podrez 

ANTHONY SHKRABA

Mick Haupt 

https://commons.m.wikimedia.org/wiki/File:Voodoo_Altar_New_Orleans.jpg

Unchanged

This is the video for Unchanged. The .mp3 song download is available for patrons, over at Patreon.

It’s an original, definitely in the vein of my signature brand, a type of madness so strange that I had to give it a new name. I call it Purple Mind Licorice Music®️.

It combines alternative rock, funk, jazz, folk, blues, heavy metal and psychedelia. It’s a long name but Parliament already has Funkadelic and well, let’s face it, Alterna-Funk-N-Roll isn’t nearly as sexy as Purple Mind Licorice Music. Why yes, I do tend to talk about my music like James Brown talked about his. Thank you for noticing.

Side note, if you haven’t seen the film Get On Up, it’s surprisingly good. I’m a big fan of The Godfather of Soul, The Minister Of New New Super Heavy Funk (even if he was a total wacko, in real life). But for whatever reason, I didn’t think the movie would be all that great. I was delightfully wrong.

Besides, alternative is a lousy category. Any genre that contains Nirvana, REM, Alice In Chains, Weezer, Coldplay and Bush isn’t particularly helpful in guiding listeners’ decisions. They seriously need to scrap that garbage and revisit the drawing board.Back to the business at hand. I’ve played this song live in my band but we just never managed to get a decent recording of it.

I’m doing the vocal and all the bass and guitar parts. Here, I abandoned my memories of how we played it in the band and just started from scratch, all by myself, just me and my computer drummer, Stinky the Robot.

Fake It ‘Til You Break It

I’ve got a habit of improvising my lead guitar parts, as opposed to writing out a solo in advance. There are songs that I write solos for but those are special cases. Usually, I just improvise and keep the bits that I like.

If anyone takes issue with that, many years ago I read an interview with David Gilmour (Pink Floyd) in a guitar magazine. He said that’s the same process he uses in the studio.

He would take several, improv passes at a song, then cut and paste the bits he liked. Later, he’d go back and learn those parts for the live shows.

Comfortably Numb was done that way and I think that song did alright. It sold like over a thousand copies or something. Trust me… in my head, that joke was hysterical.

Of course, I also have a habit of keeping what I regard as being some of “the more charming mistakes“, for better or for worse. There’s one or two of those in the jam section at the end of this tune. I was tempted to re-record those bits but if they make me giggle, then they stay. Giggles are a precious commodity, not to be wasted.

Unchanged

These wounds, open and tender
Reveal your face to me
Into the chalice of my arms
The blood of your suffering flows free

It’s a mild mannered possession,
This waiting for the rain
Encumbered by the spell and
Groggy in the slumbering delay

A scrap of ribbon, fallen
From a lover’s hair
Found by the boots of boredom
Lament for things not yet dead

A piece of my soul floats there
Down in the puddle below
Somewhere in a watch pocket
An insane notion explodes


All words and music
© 2021 Kevin Trent Boswell

Thank You

Special thanks to the following people for providing the video footage and photos. If you enjoyed the visual aspects of the video, the credit is all theirs.

cottonbro

Yaroslav Shuraev

Pavel Danilyuk

Polina Tankilevitch

Vlada Karpovich

Relaxing Guru & Co.

Alena Darmel

Hey Joe

Nothing like a crime of passion to spice up your Saturday night. Here’s a little bit of murderous rage, tucked into a nice, folk song for ya. This is “Hey Joe”, a live cover song video by my band, Magus & The Plastic Infinity.

Words and music to the original are by Billy Roberts. Obviously, Jimi Hendrix is who made the song famous.


Guitar and vocals – Trent Boswell

Support the creation of more music, poetry and madness by Trent Boswell, at:

Magus72 on Patreon, the music, poetry and madness of Kevin Trent Boswell
Magus72 on Patreon

https://Patreon.com/Magus72


Many thanks to the following, for the images in the video. You may or may not like the music but if you like the video, the credit for that is all theirs.

cottonbro

Los Muertos Crew

MART PRODUCTION

Tima Miroshnichenko

Sergio

Bhargava Marripati

Mikhail Nilov

kat wilcox

Ni.Pen.

A Thang

Sometimes Nine was one of my old bands. This music video is for the song “A Thang”.

The song was mainly John’s idea but overall, still a collaboration. The lyrics were written by me. It’s called “A Thang” because it’s in the key of A and for a while, it had no name. We’d end up saying “Let’s play that A thing”. Goofy but true.


Lyrics

A Thang

Memory soothe my mind
With with endearments of a time
A terrain, cool and kind
Where we walked, unafraid

It’s hard to find a place
To keep your memory
I came to the crest of forever
The edge of the wheel, far gone

In search of things that I held in my hand
A palace of grandeur, it stands in a land
A far off way from here, a man with
Cool, candied celebrations… celebrations

Still on pause, no more
Now, lambent angels, by the score
No wounds beyond recall
And joy adorns my eyes

© 2021 Kevin Trent Boswell


Support the creation of more music, poetry and general madness by Trent Boswell at:

Magus72 on Patreon
Magus72 on Patreon

https://patreon.com/magus72


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Baby, Lover, Honey, Darlin’

Baby, Lover, Honey, Darlin’ from the album Flagship by Trent Boswell.

Album available at:

iTunes

Amazon

Spotify

Or get your own, signed copy of Flagship over at Conjure Work.


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Patreon.com/Magus72


Trent Boswell – lyrics, all guitar parts, lead vocals and backing vocals

Ed Kopp – bass guitar

Brett Waress – drums

Frank Cobb – hand percussion

Steve Gallian – backing vocals


Lyrics:

Baby, Lover, Honey, Darlin’

Baby, lover, honey, darlin’,
When you gonna do right by me?
You know it ain’t funny,
It ain’t about that money
It’s all about you and me

Well, now you’re gone away
Well, now you’re gone away
Well, now you’re gone away

Baby, lover, honey, darlin’,
When you gonna put out that flame
You know you can’t live on cheap cigarettes
And poorly cut cocaine

Well, now you’re gone away
Well, now you’re gone away
Well, now you’re gone away

And it’s just like momma used to say…
There’s gonna be rain some days

Baby, lover, honey, darlin’,
When you gonna take a look and see
You had it all in the palms of your hands
When you gonna do right by me?

Well, now you’re gone away
Well, now you’re gone away
Well, now you’re gone away

And it’s just like momma used to say
There’s gonna be rain some days

Baby, lover, honey, darlin’,
When you ever gonna come down?

© 2021 Kevin Trent Boswell


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Blind In The Sun

If you like bands like Queens of the Stone Age, Jane’s Addiction, Jimi Hendrix or The Mars Volta, then you’ll probably dig this.

This is a brand new recording of the song that I wrote many years ago but never had a chance to record it until now. I’ve played it live with my band quite a few times but unfortunately, we never caught it on tape.

I’m playing the bass and guitar parts and singing. Everything that you hear on this track is me, except for the drums. That’s because I don’t have access to a live drummer right now. Besides, feeding and caring for a wild animal like that is expensive.

Here’s the full video on YouTube. Don’t forget to hit the thumbs up 👍 subscribe ✅ and the notifications bell 🔔

The song is called blind in the sun and the lyrics are below. Originally, it was a poem and I set it to music (hence the Roman numerals in the lyrics).

The .mp3 file is attached to my Patreon page, so you can go there, download it (for free) and play it whenever you want.

I forget sometimes that people don’t always follow my rather eccentric, artistic choices, so I will explain something about this track. I purposefully chose not to clean up the sloppier guitar licks on this track, because it’s the feel that I was going for… teetering on the edge of the abyss.

Going back and punching in smoother, cleaner guitar parts is easy enough. I just didn’t want ’em, not for this. I’ll mention two songs that inspired my playing on this. One is “God”, by Tori Amos. Her guitar player is way better than he sounds on that track. It’s dirty, gritty and foul, for a reason. The song is about existential angst and the loss of faith, so it’s gotta be grimy.

The other is “Come On (Let The Good Times Roll)” by The Jimi Hendrix Experience. On that song, he does what jazz musicians refer to as “going outside”, meaning that he lets his solos wander just a little bit out of time and out of key, on purpose. Of course, he brings it back in or it wouldn’t be interesting. I chose to step outside on this track but hopefully not too much.

Feel free to share the link to this page or the Patreon page, or the YouTube link on your social media, that’s the best form of advertising there is for underground artists. I thank you in advance. Enjoy!

Just click that big, unwieldy link, below, to listen to the track. Or go to the Patreon page. You can download the song from the Patreon page and have it for your very own. Just don’t forget to water it every few days and never feed it after midnight.

Blind In The Sun

https://c10.patreonusercontent.com/3/eyJhIjoxLCJwIjoxfQ%3D%3D/patreon-media/p/post/45543356/0114204adf4a4bb2b4c492b3e1d80cbd/1.mp3?token-time=1609345733&token-hash=2ZL8WItz55_ogZDHvUN7Am6ticXKPOwsOUgMUTJy7_k%3D

I.

Blind in the Sun⠀
Can you cringe beneath
The shadow of a fly?
You’d better try
Running ‘cross the sand
Fire in the hearts of your band
In the joy of being alive
Stripped of delusion
And so forwardly stride

Lost in the garden
with canonized illusions
There are the keepers
Of the tower
But I am not a member
Of the dark December
The light of the sun refracts
In my eye

II.

Everything is water
Electric fluid matter
In a paper cup
Called Time

III.

Somewhere in the North
There are real vampires
I know you go to visit
From time to time
To roll in the stench
The decadence of
Thirst for blood
To dine with a pack
Of wild gods

I have no intent
Of adopting your bent;
Partying down with the devil
On your shoulder

I have no intent
Of going where you went
Beating on a skull
In a hellish midnight circle

But who am I to say?
That you are not ok?
I will simply stay
Behind

Copyright 2020 Kevin Trent Boswell


Copyright 2020 Kevin Trent Boswell


Latest book release:

remission

remission , by Kevin Trent Boswell
remission

Other Titles Available:

Dark Matter

on the page

Liber Ex Liberi

Chaos Comes Apart

in the current

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The Poetry of Kevin Trent Boswell

KevinTrentBoswell.com

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SoundCloudBlind In The Sun.mp3