global – Kevin Trent Boswell

The Thing About Bunkers

characters Heather and Burt Gummer,
driven up onto the roof of their bomb shelter
– from the 1990 film, ***Tremors*** (Universal Pictures)

“Food for five years, a thousand gallons of gas, air filtration, water filtration, Geiger counter, bomb shelter! Underground… Goddamn monsters.”

—Burt Gummer, from the 1990 movie, Tremors – lamenting the loss of his desert fortress, due to something he wasn’t prepared for and never could have possibly foreseen

The thing about bunkers
and hunkering down
Is they’re not supposed to be
a permanent solution
You can store up food and weapons,
safely underground
But what if it’s many
thousands of years of toxic pollution?

If nothing is left to come back to,
if you can never go outside
If the world is never livable again,
somewhere down the line
A few years in, most folks will
start committing suicide
Rather than live in a subterranean box,
after society’s decline

In a total climate collapse,
everything would come undone
It’s not like one nuclear bomb drop,
in a single place on the map
The whole of Earth, uninhabitable,
you’d never again see the sun
Any psychologist will agree,
without sunlight, people snap

A few years after a nuke,
the radiation may die down and then
People might come back up top,
from the way-down-there
That’s if there’s any kind of habitat
for plants, critters and men
But what if it’s still too hot
and you still can’t breathe the air?

There are snazzy bomb shelters,
well-thought-out, for sure
Decades worth of water, food, meds
and every type of supply
And lots of entertainment to help you
psychologically endure
But ultimately, you face the hard question;
you need a reason why

If there’s never a return to safety,
an opportunity to re-emerge
Then, no matter how well
you think you’re equipped
If nothing grows up top,
if heat and humidity constantly surge
The very best bunker in the world
is just an expensive crypt

From the black book of horrifying, awful, terrible things that will keep you up late at night and drive you to drink, Out On The Killing Floor

Out On The Killing Floor, by Kevin Trent Boswell — **Available on Amazon**

WARNING!!! Take only as prescribed. Keep out of reach from children, pets, pregnant women and anyone who still has any hope for the future. May cause sleeplessness, fatigue, depression, anxiety, suicidal thoughts or visions of impending doom. Some readers may experience weight… not weight gain, just the heavy weight of existential dread. User assumes all risk and releases the author from any and all legal liability. This book is not approved by the FDA or anyone else who enjoys being happy. May be illegal in your area.

Support the creation of more madness:

**Magus72 on Patreon** – become a patron

End of Days

I.
We could have changed
In so many, small ways
So much for which
There was to aspire

II.
Was a time we had options
Moves and plays
To climb out of the hole
Find someplace higher

III.
Having opened the door
The beast enters and slays
Its hunger, endless
Its destruction, entire

IV.
No plans to retreat
Once inside, it stays
It does not sleep
Or pause or tire

V.
Opting out of truth
Believing false displays
The twisted words
Of talented liar

VI.
Fear of speaking out
Mute with delays
With webs of deceit
Would truth, retire

VII.
Insecure children
In desperate need of praise
And any fleeting comforts
They might acquire

VIII.
Fearful of reproach
The disapproving gaze
In secret would
Against all, conspire

VIIII.
The world, itself
Now glances sideways
Its displeasure hot
Worse than anything prior

X.
Events blunting senses
Into stumbling daze
Mouth of inferno
Funeral pyre

XI.
Prophecy unfolds
However one prays
Indulgence to Pope
Or penance of friar

XII.
Entrusted with a gift
Foolish steward betrays
Comprehending not
The quantifier

XIII.
Slave of Mammon sits
Rolls over, obeys
Right up to bitter end
Chasing after desire

XIV.
A drunk compass, slurring
Off course, it strays
Into gutter, wearing black
Mourning attire

XV.
Reaping what we’ve sown
On death’s harvest, to graze
Famine and plague
The new supplier

XVI.
Trumpets sounding
They startle, amaze
Broken seals in hands
Of angelic choir

XVII.
Choking in the heat
Sun’s blistering rays
Unseen, exponential
A mad multiplier

XVIII.
A scroll unrolling
The hell hound bays
Revelation in the ear
Of the testifier

XVIIII.
Heels by its master
Whose scale, justice weighs
The same who brought waters
As Earth’s purifier

XX.
For perjury and murder
The wages it pays
Tribulations certain
And soon to transpire

XXI.
Removed from God’s sight
At the end of days
The second judgement
Is a judgement of fire

From the black book of awful, horrible, despicable things, Out On The Killing Floor.

Warning: Take only as prescribed. Keep out of reach from children, pets, pregnant women and anyone who still has any hope for the future. May cause sleeplessness, fatigue, depression, anxiety, suicidal thoughts or visions of impending doom. Some readers may experience weight… not weight gain, just a heavy weight of existential dread. User assumes all risk and releases the author from any and all legal recourse. This book is not approved by the FDA or anyone else who enjoys being happy. May be illegal in your area.

Support

Special thanks to the patrons on Patreon, who make this possible. You can be part of it, too.

More Machine

Built the Machine with your own, bloody hands
Said you programmed it for our plenitude
Carefully, you tightened all its bolts and bands
You saw to it that everything was screwed

Saddled your Machine when it was still small
Rode it everywhere, all over the place
Weened your Machine on blood, sweat and all
Devouring everything, leaving not a trace

First you drove it to every faraway nation
Consumed every animal and crop in the land
Millions of slaves, chained to your creation
Ground up beneath the wheels of its demand

You’re so proud of your Mean Machine
Cranked controls all the way up to MORE
So hard that you snapped off the knobs
Doesn’t know any limits, only knows war

You fed Machine what they built by hand
It grew meaner by the day, on all they could grow
It ate their homes and even ate their land
It even ate their memories, all that they know

When Machine had gobbled up every last thing
Picked clean all bones, in every foreign field
You rode back home, a messiah, a king
Fearing your hungry Machine, we all kneeled

You’re so proud of your Mean Machine
Cranked controls all the way up to MORE
So hard that you snapped off the knobs
Every day, it breaks its own high score

I guess you never heard of Dr. Frankenstein
Guess you knew Dr. Faust wasn’t real
So, you sold your soul and that was fine
But you threw all of ours into the deal

Machine just grows, never stops to ask why
You said we’d be saved by your shiny, little toy
Now, no one can stop it, no matter how we try
It’s programmed to eat, enslave and destroy

You saw Machine’s lust, heard its awful moan
You finally figured out that it would never stop
Beneath its wheels, you began throwing your own
Anything to save yourself and stay on top

Nothing left to eat, Machine looks all around
And sets its ravenous eyes upon you
Alone, it eats the Earth, with a grinding sound
Finally eating itself… only thing left to chew

You’re so proud of your Mean Machine
Cranked controls all the way up to MORE
Turning so hard, you snapped off the dials
Mean Machine breaks free to settle the score

From the black book of awful, horrible, despicable things, Out On The Killing Floor

Support

Many thanks to everyone who supports this work, over at Patreon. It wouldn’t be possible without them.

Blood In The Glass

“Blood In The Glass” – An original song by Trent Boswell. All guitar, bass and vocal parts, plus the recording and mixing of the song are by Trent Boswell. This is from the album Something in the Air.

Blood in the Glass from the album Something in the Air

Lyrics

You’d only call it a disaster
If you were trying extra hard to be nice
But all the niceties were crushed up for the mix drinks
Because the party was all out of ice

Hush, little baby.. don’t you bitch, now
We’ve laid waste to all your pesky fears
Just listen to the soft voice of certain death
How it whispers such sweet things in your ears

I woke this morning to the sweet sounds
Of everything falling apart
I can’t find the glue, anywhere I look
And I know better than to look in my heart

Doom arrived late night at the soirée
As I passed by, I kicked it in the clutch
I wasn’t mad at all about what it planned to do
Only that a few, it wouldn’t touch

Gentleman and ladies all line up now
To stab the eyes, each one has a go
Don’t waste your breath, explaining to them how
They only blind themselves… they already know

Don’t stop the show, it’s all too much fun
Admission price is all the useful parts
We sold it all off, dirt cheap, no reservations
And long ago, we emptied out our hearts

I remember sunny days and bird songs
But all these things are swiftly brushed aside
For the sounds of ourselves, the images of others
Both from which, we vainly seek to hide

I found a thousand beautiful reasons
Then, was told I needed one thousand and one
Things like joy, a heart full of kindness,
A chameleon face and a gun

Blood in the glass, broken glass on the ground
Broken glass and blood on the blade
Note the irony with a wry, little smile
It’s the finest contribution that I’ve made
Watch the smoke rising, a sigh of contentment
The finest contribution that I’ve made

It’s getting much harder to keep it all down
Throwing it away might be smart
When all of it is burned, black, full of poison
Most especially in the heart

I woke this morning to the sweet sounds
Of everything falling apart
I can’t find the glue, anywhere I look
And I know better than to look in the heart

We all know there’s nothing
There to find, in our hearts