I’m hesitant to do any regular promotion today because of everything that is going on in America. My heart goes out to women everywhere, as well as all of the other minority groups that SCOTUS has in their sights to attack and marginalize next.
There is nothing I could possibly say or do that could make any of that madness seem less important. I’ll do anything that I can to help, but I am honestly clueless about how I might help, beyond voting and just being a supporter of equal rights for all people. Try to stay strong and please, take good care of yourselves; it’s easy to slip into depression and bad habits when we see our nation slipping toward authoritarianism.
All that said, somehow, someway, life has to trudge on forward. As you might already know, my new album is out, and that means part of my job is to promote the stupid thing. Actually, it’s not stupid at all—I’m exceedingly proud of it. I think it came out great. I’d love for it to be some kind of small escape from the harsh realities we’re facing.
Something in the Air – Music by Trent Boswell
Below, I’m providing some links to the bigger music streaming services that carry the album. If you subscribe to any of these, you can do me a huge favor by liking the tracks on all the services you have access to. You can of course purchase the album or individual tracks through most of these outlets. That’s excellent because it helps me to make more music for everyone.
However, it’s incredibly easy (and free) to just favorite, like, thumbs up 👍 the songs you like, and to add them to your favorite playlists on outlets like Spotify.
If you really want to help out, really go the extra mile, you can share the album or individual songs to your social media pages.
There’s also the YouTube channel, which provides interesting visuals for the music.
Something in the Air
Existential art rock for perspicacious psychonauts and connoisseurs of eclectic, eccentric soundscapes, chock full of the beautiful terrible. Ten original songs about things which are replaced by new, theoretical things that never arrive.
2 cups of Rock and Roll, ⅓ cup of Pop Music, 3 heaping tablespoons of psychedelics, and one fifteen inch subwoofer of pure Funkadelia. Use responsibly. May interact with certain medications. May be illegal in your area.
Napster – I don’t know the link because I’m not a subscriber, so I can’t look it up
There are plenty of other music services that carry the album; these are just the biggest ones.
And here’s a video of one the songs, track number three from Something in the Air. This one is called A Nice, Quiet Place to Die. Despite the seemingly dark title, it’s really a love song. It’s about loving other people, animals, and the Earth itself. Enjoy.
Hopium – an irrational, unfounded belief that a situation is going to improve, despite all evidence to the contrary.
New music from Trent Boswell
Here’s a new song. This one is a blues rock piece.
People usually say, “The vocal part isn’t loud enough,” so I made it nice and loud in this one. To my ears, I think it’s a little too loud. You can let me know in the comments what you think.
Either way, hit the thumbs up 👍 and share ⬆️ with your friends if you like it.
This was a refreshingly positive experience. With every post I make on Instagram, I get hit up multiple times for paid promotions. It’s always a sleazy approach like “I love your stuff! Let’s work together!” even though you know they sent that message so fast, they couldn’t possibly have listened to the song.
This guy Bobby asked me on TikTok if he could review me on his show tonight. I said yes, but I was thinking, “Wait for it… he’s going to hit me with a dollar amount, a pay-to-play thing.” I don’t do those. But he didn’t ask for anything. He’s got a pretty intelligent approach to it, he offers pay-to-play, but also gives free plays and reviews, no questions asked.
A spin and review on The Crockpot Cartel Show
He played a few minutes of my song (the format is that each song gets roughly two minutes, so he can fit more into the show). He gave some kind feedback on it and all he asks is that viewers stay active in the chats, giving ratings for each song (he uses a 1-1,000 rating scale). Even though most of what got played was either hip hop or rap, he stayed open to other genres. My music is really different from everything else I heard tonight, but he gave it equal time and thoughtful consideration.
In the chats, it looks like people rated my tune anywhere from 600 to 1,000 with an average of maybe 800 or 900. One person said 2,000 but that’s not inside the range you’re supposed to use 🤷♂️🙃
I was pleased, especially since most of the people there were making hip hop music. He asked everyone to add constructive criticism to any songs that they rated low, and said no hating on anyone. The overall thing was a nice surprise for sure.
You can catch his show and submit your music for consideration at: Bobby Everything
New Album on June 8th
June 8th release date
This album has the song on it that was reviewed in the show. The song is called “White Elephant.” You can watch the full video here:
I’m offering a special package deal. Below, you’ll find a list of all my poetry titles, as well as my album Flagship. For just $72, I’ll send you a copy of one of each of the poetry booksANDa copy of the Flagship CD.
That’s $39.21 off the cover price. Better still, this flat price includes FREE S&H.
The free shipping offer applies only as long as it’s in the continental U.S. If you want international shipping, you can contact me privately so that I can calculate a specific S&H price for you.
all nine of my poetry books, plus a copy of the music CD Flagship, for one flat price and FREE shipping!
I posted this song before, but I have entirely remixed it. The new mix sounds far superior to the original. I also shortened the title from “Tales of War On Venus” to “War on Venus.”
Lyrics:
We sit, swapping war stories We’ve barred all the windows and doors Each of us covered in blood Half of it mine, half of it yours
Two chairs, sitting face to face The room is bare, otherwise Suspiciously watching each other for Sudden movements, any shift in the eyes
There’s a word for why we’re here The trap, it fits us like a glove Explains all the mess and the misery And that four-letter word is love
Pause long enough to take a shot From the big bottle of poison We’re not much but we’re all that we’ve got We sweat bullets and swear “You’re the one. You’re the only one for me.”
Weapons at the ready, there in our laps Fingers never far from the trigger No one smiles, no one eats or sleeps Shots of whiskey and resentment get bigger
It’s no mystery how or where We both know who’s to blame, we insist Each of us swearing that the other struck first It was a case of love at first fist
There’s a word for why we’re here This trap, it fits us like a glove Explains all the mess and misery And that four-letter word is love
I think the reason this time of Venus Retrograde in Capricorn hasn’t been more popular with the people is that it was lacking something. I think what it was lacking is a tune, one that the people can hum.
I’ve taken it upon myself to remedy this situation by creating one for this very purpose. Now, this thing should really get off the ground and fly. Now, people will no longer have to argue with their romantic partners, families and friends… without a soundtrack.
Now, they will be able to argue with soundtrack backing them up. Something to make the whole thing really groove and move along, with a steady beat and some catchy lyrics.
Tales of War on Venus
Tales of War on Venus
We sit, swapping war stories We’ve barred all the windows and doors Each of us covered in blood Half of it mine, half of it yours
Two chairs, sitting face to face The room is bare, otherwise Suspiciously watching each other for Sudden movements, any shift in the eyes
There’s a word for why we’re here The trap, it fits us like a glove Explains all the mess and the misery And that four-letter word is love
Pause long enough to take a shot From the big bottle of poison We’re not much but we’re all that we’ve got We sweat bullets and swear “You’re the one. You’re the only one for me.”
Weapons at the ready, there in our laps Fingers never far from the trigger No one smiles, no one eats or sleeps Shots of whiskey and resentment get bigger
It’s no mystery how or where We both know who’s to blame, we insist Each of us swearing that the other struck first It was a case of love at first fist
There’s a word for why we’re here This trap, it fits us like a glove Explains all the mess and misery And that four-letter word is love
I never quite fit in Never fit neatly enough Into any of the boxes
Despite being a straight, white male Somehow, I always still manage To be the different one In every crowd
I believe in science But I’m also an occultist
I’m entirely too rational and skeptical For a great many in the occult community
I hold disdain for those who think that White light is the solution for every problem, That all things are possible through magick And that crystals, sage and essential oils Will cure absolutely anything and everything
I’m what is known as a gray magician, Equally comfortable with Angels and demons Blessings and curses
But I’ve always been A little too “light and goodness” for some And a little too “dark and scary” for others
My acceptance of atheists, As well as agnostics and Satanists Gets me odd looks from the Holier-than-thou clubs
And my complete lack of Any bitter hatred of Christianity Makes the Left Hand Path people Somewhat suspicious of me
But the fact that I believe Spells can cause change And that it’s possible to Communicate with unseen entities
This gets me automatically pigeonholed By anyone in the scientific community As either a lunatic or a charlatan Or both
I’m too Ceremonial for the Witchcraft crowd, Too witchy for the Hoodoo crowd, Too Hoodoo for the Ceremonial crowd And so on and so forth, ad-infinitum, ad-nauseam
I have kinks that get me labeled As a pervert, by many
But I usually found that I was something of a disappointment To a lot of the kinky people I met Because I wasn’t a submissive male Or because I wasn’t bisexual Or because I wasn’t whatever else They were hoping that I would have been
Of course, they’re always happy that I am Open and accepting and loving Of all orientations, gender-identification, etc But I’m still a straight, white male Which is, to many of them, Still sort of boring, sort of a letdown And I get that, I really do It’s OK, I’m not offended by it
I play chess and I listen to classical music I both listen to and play jazz So, I’m a bit too “uppity” For many rock-and-rollers
But I’m only a decent chess player And a mediocre jazz guitarist So, I don’t get to sit with the really cool kids At any of those tables
I also listen to punk, speed metal, Gangster rap, blues, rock, pop As well as dozens of other genres And somehow, it’s still a surprise When someone else likes the same bands as me I’ve never really figured that part out, Seems like there’d be more commonality But there you have it
I write poetry and hell… Everyone hates that
But even among the poets, I don’t stick with any one, single genre So, none of them really gets me, either
When I branch out into things like horror poetry, That freaks a lot of people way the hell out
“What the fuck is wrong with that guy?!”
Sure, they love Stephen King They don’t bat an eye at The Walking Dead Or movies like Hellraiser or Saw But I write one little, horror poem About cannibalism and suddenly I’mweird
OK, so it was more than just one
I play guitar, sing and write songs But my style is all over the map So it’s just too this or that for Almost everyone
I was even told as much, by a friend, A guy who had helped a pop artist, A one-hit-wonder, to get a gold record Yeah, I was close friends with a record producer
It didn’t help me one bit
He said “You’re a very good singer And you’re a good guitarist but…”
“People want catchy songs”
“And they want to know Exactly what they’re going to hear When they come to a show. You are all over the place. I had no idea what you’d play next. Pick one style and stick with it.”
“You can be a genius, later.”
That wasn’t good enough for me I always wanted to do all of it
I wanted to do all of it, now
I’d play rock, blues, folk, funk, metal, Country, pop, weird, avant-garde stuff And psychedelia
However, most people seem to be more Chocolate or vanilla or strawberry But not all of the above
So, somewhere along the way, I’d lose the crowd because I played a song That was just too… something For their tastes
I don’t play or follow sports So, there went any conversation With three-fourths of the Male population, right there
I’m accepting of all religions But I don’t belong to any So, I don’t have any of the neat, lapel buttons To get me into those meetings
I hate bullies So, I never get invited to the hate crimes Instead, I’m the idiot who will Stand with the guy who is outnumbered, Just because he’s outnumbered
But I think everyone is fair game When it comes to rude jokes Especially me Because, if you can’t laugh at me Then, who the hell can you laugh at?
But I sort of suck at political correctness So, I piss off most of the woke crowd
It’s OK, the feeling is mutual
I don’t get into cosplay or anime I’m not a Star Trek guy, though I like the show I don’t collect or read comics or manga I don’t keep up with most television
I advocate healthy eating but I’m not vegan
I can dance but don’t really like to I can cook but don’t really like to I can small talk but don’t really like to
I only comment on politics When it looks like my country Is about to shift into fascism; I’ve talked way too much about politics In the last four years
I’m no fan of hatred So, I don’t get to sit with any of Those guys in the white sheets Or the black boots, bald heads and suspenders
But I’m a little too strange of a white guy For most minorities to feel Totally at ease around me
It’s probably safer to have “Normal” white friends And I actually get that; I don’t take any offense to it
I’m not fluent in any other languages, Despite having taken both French and Spanish So, I don’t get to play interpreter for anyone
I think the climate crisis is way more severe Than nine out of ten people do Want to clear out a room fast? Bring that up and watch them all scurry
I’m not a cat person So, that rules out about three-fourths Of the female population, right there
But I can always talk about dogs With other dog lovers And there’s a saving grace, for certain
I’m into martial arts and that’s too violent For many people But I’m not a black belt in anything I studied So, I’m not important enough to listen to In those groups And even the style I’m most into, Jeet Kune Do, is controversial, Because it’s extremely eclectic And it thumbs its nose at any type of Tradition, purely for the sake of tradition So, that pisses off a lot of people Who practice traditional styles
I’m not a Right-Wing nut job but I support The second amendment and I own guns So, I just ostracized myself from Both the Right and the Left, Right there
I don’t surf or skate or snow ski I’m not a connoisseur of fine wines Or fine cuisine I don’t read anything on best-seller book lists
I’ve always been either Lower class or lower, middle class So, I can’t get into any of the swank affairs
But I’m a bit too odd to get invited to Most of the cool kids’ parties
It doesn’t really help that I don’t smoke weed and I don’t usually drink The lack of these habits raises many eyebrows
I don’t fit hand-in-hand with most, other people
Even my closet friends, Dear, dear, beloved friends Would readily admit:
“Yes, he’s an odd one. Oh, we love him. We just don’t claim to really Understand him.
We think it’s probably quite enough To just love him And let it go at that.”
And with that statement, I’d completely agree
I’m perfectly content to be The black sheep, the odd man out The different one
But all this lack of fitting in Has helped me, in one, very clear way
It has compelled me to develop A desperately needed survival skill And that is
Good listening
Because I learned early on That if I was going to last More than ten minutes In any conversation, In any room, Anywhere
I did much better if I Kept my rather strange opinions, Beliefs and attitudes To myself
But I did even better, still
When I could repeat back the opinions, Beliefs and attitudes that someone else Had just expressed to me
Everyone appreciates being Truly heard
Not everyone needs to be agreed with It isn’t even everyone who Needs to be appreciated
But everyone Likes to know that you were Actually listening
And if they say anything at all About music, martial arts, chess, poetry Or anything else I’m interested in Well, I might have just bought myself Ten more minutes of friendly conversation
And when all else fails, When I’m talking to someone and I can’t find Any common ground… at all
I can always punt I default to the saving grace of Dogs
But if it becomes clear That they don’t like dogs…
“Blood In The Glass” – An original song by Trent Boswell. All guitar, bass and vocal parts, plus the recording and mixing of the song are by Trent Boswell. This is from the album Something in the Air.
Blood in the Glass from the album Something in the Air
Lyrics
You’d only call it a disaster If you were trying extra hard to be nice But all the niceties were crushed up for the mix drinks Because the party was all out of ice
Hush, little baby.. don’t you bitch, now We’ve laid waste to all your pesky fears Just listen to the soft voice of certain death How it whispers such sweet things in your ears
I woke this morning to the sweet sounds Of everything falling apart I can’t find the glue, anywhere I look And I know better than to look in my heart
Doom arrived late night at the soirée As I passed by, I kicked it in the clutch I wasn’t mad at all about what it planned to do Only that a few, it wouldn’t touch
Gentleman and ladies all line up now To stab the eyes, each one has a go Don’t waste your breath, explaining to them how They only blind themselves… they already know
Don’t stop the show, it’s all too much fun Admission price is all the useful parts We sold it all off, dirt cheap, no reservations And long ago, we emptied out our hearts
I remember sunny days and bird songs But all these things are swiftly brushed aside For the sounds of ourselves, the images of others Both from which, we vainly seek to hide
I found a thousand beautiful reasons Then, was told I needed one thousand and one Things like joy, a heart full of kindness, A chameleon face and a gun
Blood in the glass, broken glass on the ground Broken glass and blood on the blade Note the irony with a wry, little smile It’s the finest contribution that I’ve made Watch the smoke rising, a sigh of contentment The finest contribution that I’ve made
It’s getting much harder to keep it all down Throwing it away might be smart When all of it is burned, black, full of poison Most especially in the heart
I woke this morning to the sweet sounds Of everything falling apart I can’t find the glue, anywhere I look And I know better than to look in the heart
We all know there’s nothing There to find, in our hearts
My cover of Willie Nelson’s “Seven Spanish Angels”, a wonderful song that he got Ray Charles to do a duet with him on. I don’t care for modern country music but I love Willie Nelson, Johnny Cash, Patsy Cline, Dolly Parton, Loretta Lynn… to me, that’s real country music.
The great jazz saxophonist, Charlie Patker would go into a bar and load up the jukebox with country songs, which puzzled his jazz cat friends. When they asked why, he’d say “It’s in the stories, man. Listen to the stories.” Nobody can tell a story like Willie Nelson. How much more true is that, when Ray Charles is helping him tell it?
I’m doing the vocal, playing all the guitar parts and the bass. I’ve never been much of a slide guitarist, so it’s not exactly amazing slide work but it came out just well enough that I didn’t ditch it entirely. Since I didn’t have Ry Cooder’s number, it will have to do.
You can support this work and download the song for free at:
He looked down into her brown eyes And said “Say a prayer for me” She threw her arms around him Whispered “God will keep us free” They could hear the riders comin’ He said “This is my last fight If they take me back to Texas They won’t take me back alive”
There were seven Spanish Angels At the Altar of the Sun They were prayin’ for the lovers In the Valley of the Gun When the battle stopped and the smoke cleared There was thunder from the throne And seven Spanish Angels Took another angel home
She reached down and picked the gun up That lay smokin’ in his hand She said, “Father please forgive me I can’t make it without my man” And she knew the gun was empty And she knew she couldn’t win But her final prayer was answered When the rifles fired again
There were seven Spanish Angels At the Altar of the Sun They were prayin’ for the lovers In the Valley of the Gun When the battle stopped and the smoke cleared There was thunder from the throne And seven Spanish Angels Took another angel home
Words and music by Willie Nelson
Special Thanks
Special thanks to the following people for their video and photo contributions:
“Even In The Littlest Things”, from my book Dark Matter – Poems of Horror and Depravity
Even In The Littlest Things – from Dark Matter
With Samhain/Halloween/All Hallow’s Eve and Day of the Dead fast approaching, I’m doing readings from my book of horror poetry, called Dark Matter. Most of them will have some type of music and/or sound effects that accompany them, to lend to the experience.
However, for most of these, I won’t be doing anything fancy with the visual aspects. There will be some that have interesting video or photos to look at but this will be more of an auditory experience than a visual one.
This particular piece is different from most of the book, as it’s not really horror. I included it because it’s quite dark, indeed. I wrote it because it was a personal demon that I had to exorcise, get the poison out of my system. I personally find myself both fascinated and revolted by this poem, even though I’m the one who penned it.
This is because it deals with a heavy, human problem… that of deception and who can we trust? We’ve all found out the hard way that someone we cared deeply for was deceiving us about something. If that person meant enough to you, then you most likely considered it not just inconvenient or frustrating but literally horrible.
Lies can be even more efficient weapons than guns or knives, given the right circumstances and for this reason, Even In The Littlest Things rightfully earns its place in the book and into this series of recordings.
Even In The Littlest Things
Even in the littlest things, you lie Promises of civil courtesies so small, To fulfill them, one barely need try Even in the littlest things, you lie
So many pieces to your hate Some are hidden, some stand tall None create joy, only weight So many pieces to your hate
Your darkness is beyond blinding Wondering if there’s any light at all Mislabeling what I was finding Your darkness is beyond blinding
A forgery, nearly perfect, passing Mask chipped, the disguise did fall Recidivist, apology count surpassing A forgery, nearly perfect, passing
But hey, at least you got to try it Labeled thing, you renamed it all No one ever insisted you buy it But hey, at least you got to try it
And now, we all feel less than good Endless, useless, talking, small Nothing gained, nothing goes as it should, And now, we all feel less than good
This is a song that I wrote in my early twenties but until now, no proper recording of it existed.
Trent Boswell – Full Moon Song
In the past year, I’ve learned several truckloads about “desktop music production” and how to get studio-quality recordings, using only my computer DAW (audio recording program) a basic, two input audio interface and a simple, Shure-58, dynamic microphone.
Also, I finally got a decent pair of studio monitors, so I can hear what is actually going on in the mix, without it being colored too much by the automatic tweaking of frequencies that is present in most speaker systems.
These factors combined, I’m now putting out recordings that are vastly superior to what I was producing last year. The latest material is sonically improved at least a couple hundred percent.
Lyrics
Sometimes I find out things about me Just a little bit more than I’d ever want to know Kind of put a damper on a real good mood Just when I was sure I was on a roll
I was sure I was
In the face of greatness, we often feel small Yeah, the Full Moon, she spits in my eye And wouldn’t we all just love to know Ooh, yeah… exactly why
I know I would
I look for answers in the other dimensions I listen for stories that cannot be told I seek someone to take my confessions And if there is no one, then I want control
God knows, I could use some control
Control
If you could only see what I saw You’d surely say that I’d lost my mind But I know it’s true that all are one and one is all I’ve seen it going on, all the time
Anyway you turn the question, It cannot be answered But anyway you turn the answer, It cannot be questioned I took a toothless profession in cancer On a slighted word, best not to mention
No, no
And I look for answers in the other dimensions I listen for stories that cannot be told And I’ll do anything for direction Anything short of sell my soul
Support this work by becoming a patron and get perks like patrons-only releases, early access free music, poetry and other artistic goodies that help keep us from sliding into the abyss of modern commercialization of the arts.
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Thank You
Special thanks to the following people for their video contributions:
I searched high and low, trying to find A little comfort and peace of mind Of all the places I’ve been, I have to say This is the one where I’d most like to stay
Tracing over all my memory I can’t recall any place I’d rather be So many places, so many names So many dreams that went up in flames
I’ve thought it over and I can’t deny Your arms feel like a nice, quiet place to die You feel like a nice, quiet place to die I’ll wait right here and let it all pass by
Search all you want but you’ll never see A place that’s always trouble free This is as good as it ever gets to be This right here, you and me
I’ve thought it over and I won’t lie Your arms feel like a nice, quiet place to die You feel like a nice, quiet place to die I’ll wait right here and watch it all pass by
A nice, quiet place to die A nice, quiet place to die A nice, quiet place to die Let it all pass on by
This is another song that I wrote in my early twenties but it’s only now getting a proper recording.
Magus – Tact
BackStory
I played this tune with various bands over the years but we never got a usable recording, because they were usually done in dive bars with poor acoustics. There was no separation of the instruments, only the chaotic din of drunken idiots in the background.
I do still have the original, cassette demo that I recorded on a reel to reel tape machine. I no longer have that machine [insert sadness and woe, here] but I have the recording. It’s ok but it’s just guitar and vocals and covered in that old school, analog tape hiss.
This is a full treatment, with rhythm guitar, lead guitar, vocals, bass, all of which I’m doing. The lead guitar part is a first take improvisation. I’ve never played lead over this song before, because I was always busy playing the rhythm and singing the lead part.
Actually, I’d never even thought about what I’d want the lead guitar part to sound like, because keeping a band together was trouble enough to keep my mind thoroughly occupied. So, I just hit record and rolled with it. I’m pretty pleased with the result.
It’s also got drums and hand percussion, performed by Stinky the Robot drummer. I’ve got him trained pretty well at this point. He eats a small amount of electricity, sleeps in his little box and he only bites occasionally, now; I’ve even removed the shock collar.
It’s really one of the most simple, straightforward songs that I’ve ever written. There’s a main riff and a slight variation on it, toward the middle. Then, there’s the verse part, a two-measure figure that repeats, over and over.
There’s three, short verses, no chorus and no bridge. That’s because it was originally a poem and I had no desire to adapt the words, just to flesh out the musical bits.
The rhythm guitar part really emphasizes the drums and bass anyway, thus making it more of a groove tune than a standard, pop formula type of song. The lyrics take up only about the first third of it and the rest is just an excuse to do what musicians love to do… jam.
Lyrics
Pilgrimage to the mountain, On through a hurricane Going to pray for my family, And for those who lay in the clay I don’t know who will hear me But I will cry on the wind Grant me strength and compassion Give me self-discipline
Oh, the pressure and the pride, now They can split your skull When your best ain’t enough, now All you can do is let go A thousand years’ wisdom Will set it all straight A fool’s minute will erase it Ah, but that is the Way
I was tied to a tree And whipped like a dog It’s where I learned to be free And to trust in God In the center of the mountain You will find a ring When you wear that piece/peace No man’s words will sting
It’s only a string section, not an entire orchestra. But what sets this apart from anything that I’ve ever done before is that, in addition to writing the chord progression, the guitar and bass parts and the lyrics, I also wrote the string part. That’s a new one for me.
And I didn’t just write something on guitar and then transpose it for strings. Instead, I wrote it the way a classical composer would.
To do this, I had to draw on the part writing rules that we learned in music theory class in college, something that I thought I’d never actually use. It was a long time ago, so I feel sure that I broke some of those rules in various places but remembering the basics (no parallel 4ths or 5ths, etc) got me through it.
SomethingLike A Rainbow
Lost and alone and wandering Finding a true friend there, in the rain Hold fast, together Warmth in a lover’s arms Loving each other heals the pain
A soft and gentle light, to lead the way Something like a rainbow
So many things we were told we’d see Most of them never came to be But no one can explain the redeeming grace That shines from the light in your face
A soft and gentle light, it leads the way Something like a rainbow
And it shines into forever Walk in its light, into forever
So many things we were told we’d see Most of them never came to be Still, no one can explain the redeeming grace That shines when a smile is upon your face
A soft and gentle light, it leads the way Something like a rainbow Soft and gentle light, it leads the way Something like a rainbow
And its light goes into forever Ride the light into forever
in the sixties and seventies, everyone went over the top
musicians wore outlandish costumes and behaved as if they were invincible
sometimes, they believed it
but mostly, it was because they had seen through the facade of the system
they did lots of psychedelic drugs which taught them that everything… and yes, i do mean… everything… is utterly ridiculous
there’s literally nothing you can say, think, feel, believe, wear or do that isn’t… just plain silly
rather than take ourselves seriously, why not revel and delight in the temporal, inane shenanigans that are our lives…
ourselves
these days, everyone is up their own asses, again
everyone is busy, twenty-four-seven, trying to convince everyone else that they’re the coolest, that they’ve got it all figured out
“if you’re into disco, you’re not cool, because disco was silly and they just thought it was cool, before everyone knew better”
or
“if you’re into _______, then you’re not cool, because ________.”
put whatever you want in there, classic rock, polka, country, surf music… whatever
someone is going to be actually offended that you like it
“if you’re into that, then you’re not cool, because that’s not what i’m doing and i’m pretty much the only one who’s doing what’s cool.”
it only tells us how terrified you are of our opinions of you
and that’s really the only thing that sets you apart as being truly ridiculous
it’s the not knowing that you’re ridiculous
that not knowing is what makes you comical, farcical
acting cool is cool but believing you’re cool… well, that just makes you kitschy instead of campy
but if you start right out of the gate, convinced that everything about you and what you’re doing is utterly ridiculous, with the intention of milking that silliness for everything it’s worth…
then it’s not ridiculous at all, however ridiculous it is
and it is
for the love of god, please stop trying to convince us that you’re cool and that what other people are doing isn’t
it only makes you into a sad caricature, a parody
you see, we really don’t care what you do, as long as you do it with all of your heart and soul
put on a ten gallon hat deck yourself out in wild makeup wear a smoking jacket sing out of key… in pig latin play bongos while tap dancing do the tango to speed metal dress in leather and do opera dress in drag and do gangsta rap wear a suit and tie while you sing outlaw country music
just know beyond any shadow of doubt, that before, during and after…
Intergalactic Funk #72 from the album Something in the Air by Trent Boswell
It’s a 70s funk theme, set in outer space. So put on your best pair of corduroy bell bottoms and platform shoes, dip your head in a bucket of glitter and step out onto the launch pad. We’re about to take the funk to a whole new level.
Space, the final frontier. These are the voyages of the starship Funkalyze.
I don’t do drugs anymore… than, say, the average touring funk band.
—Bill Hicks
Whenever I think about funk music, it has a look… and that’s how it sounds.
—Erykah Badu
I come equipped with stereophonic funk producin‘ disco inducin´ twin magnetic rock receptors.
—Bootsy Collins
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Special thanks to the following people for providing the video footage and photos. If you enjoyed the visual aspects of the video, the credit is all theirs:
Here is my cover of “Hoochie Coochie Man”. This tune was written by the preeminent Godfather of the Blues, Muddy Waters.
Muddy Waters, The Godfather of the Blues
The lyrics are heavily laced with references to the Hoodoo conjure tradition of the American South. One commonly misunderstood line is:
I got the John the Conqueror Root
I’m gonna mess with you
To mess with someone was to put roots on them, meaning to cast spells on that person.
The root known as John the Conqueror (Ipomoea jalapa) is widely regarded as one of the most powerful roots or Plant Spirits; if not the most powerful.
The root, all by itself, was potent and to possess it was to hold power to exert one’s will. However, to possess a mojo hand (aka, mojo bag), made and empowered by a knowledgeable rootworker, was an awe-inspiring thing.
It was not a simple matter to travel to Louisiana and get a mojo, especially for a Black person, who had less opportunities and greater obstacles. If you wanted the magick, the only way to get it was to find a skilled doctor.
This was a man or woman who knew how to coerce the Spirits to work on their behalf. First, you had to find a rootworker and then you had to convince them to make a hand for you and pay them whatever their fee was, no questions asked.
Any rituals they prescribed you or tasks assigned must be followed scrupulously. But once you had a mojo hand, especially one containing John the Conqueror, it meant that you were a force to be reckoned with.
I’m doing all the guitar, bass and vocal parts on this track. I added Slight Return to the title as a little tip of the hat to another major influence of mine, the immortal Jimi Hendrix. Hendrix was well aware of the lore mentioned here and his song “Voodoo Child (Slight Return)” references similar themes.
During the last verse, you’ll see a quote, placed over a pic of Muddy Waters. It comes from the movie Crossroads, starring Ralph Machio; not to be confused with the movie Crossroads, starring Britney Spears.
It’s the story of a young, classical guitarist who dreams of nothing but playing the Mississippi Delta Blues. He’s a classical music major at The Juilliard School of Music but is mostly obsessed with Robert Johnson, arguably the greatest blues man ever.
This is the video for Unchanged. The .mp3 song download is available for patrons, over at Patreon.
It’s an original, definitely in the vein of my signature brand, a type of madness so strange that I had to give it a new name. I call it Purple Mind Licorice Music®️.
It combines alternative rock, funk, jazz, folk, blues, heavy metal and psychedelia. It’s a long name but Parliament already has Funkadelic and well, let’s face it, Alterna-Funk-N-Roll isn’t nearly as sexy as Purple Mind Licorice Music. Why yes, I do tend to talk about my music like James Brown talked about his. Thank you for noticing.
Side note, if you haven’t seen the filmGet On Up, it’s surprisingly good. I’m a big fan of The Godfather of Soul, The Minister Of New New Super Heavy Funk (even if he was a total wacko, in real life). But for whatever reason, I didn’t think the movie would be all that great. I was delightfully wrong.
Besides, alternative is a lousy category. Any genre that contains Nirvana, REM, Alice In Chains, Weezer, Coldplay and Bush isn’t particularly helpful in guiding listeners’ decisions. They seriously need to scrap that garbage and revisit the drawing board.Back to the business at hand. I’ve played this song live in my band but we just never managed to get a decent recording of it.
I’m doing the vocal and all the bass and guitar parts. Here, I abandoned my memories of how we played it in the band and just started from scratch, all by myself, just me and my computer drummer, Stinky the Robot.
Fake It ‘Til You Break It
I’ve got a habit of improvising my lead guitar parts, as opposed to writing out a solo in advance. There are songs that I write solos for but those are special cases. Usually, I just improvise and keep the bits that I like.
If anyone takes issue with that, many years ago I read an interview with David Gilmour (Pink Floyd) in a guitar magazine. He said that’s the same process he uses in the studio.
He would take several, improv passes at a song, then cut and paste the bits he liked. Later, he’d go back and learn those parts for the live shows.
Comfortably Numb was done that way and I think that song did alright. It sold like over a thousand copies or something. Trust me… in my head, that joke was hysterical.
Of course, I also have a habit of keeping what I regard as being some of “the more charming mistakes“, for better or for worse. There’s one or two of those in the jam section at the end of this tune. I was tempted to re-record those bits but if they make me giggle, then they stay. Giggles are a precious commodity, not to be wasted.
Unchanged
These wounds, open and tender Reveal your face to me Into the chalice of my arms The blood of your suffering flows free
It’s a mild mannered possession, This waiting for the rain Encumbered by the spell and Groggy in the slumbering delay
A scrap of ribbon, fallen From a lover’s hair Found by the boots of boredom Lament for things not yet dead
A piece of my soul floats there Down in the puddle below Somewhere in a watch pocket An insane notion explodes
Special thanks to the following people for providing the video footage and photos. If you enjoyed the visual aspects of the video, the credit is all theirs.
This is my cover of the song “The Weight” by that excellent group known simply as The Band.
“It consisted of four Canadians and one American: Rick Danko (bass guitar, vocals, fiddle), Garth Hudson (keyboards, accordion, saxophone), Richard Manuel (keyboards, drums, vocals), Robbie Robertson (guitar, vocals), and Levon Helm (drums, vocals, mandolin, guitar).”
I’ve had a deep love of this song for as long as I can remember. It’s got a fun, upbeat vibe to the music but the lyrics (as the title suggests) are very heavy.
It’s a song about loneliness, disappointment and suffering. It’s about asking where you turn when all your best laid plans have fallen apart.
When I do a cover song, I usually try to reinvent it to some degree. I try to put something of my own mark on it. In this case, it didn’t feel right to completely reshape the song. There are really only two ways that I’ve wandered away from the original.
One is that I had to somehow fill up the empty space left by Garth’s piano playing. I chose to do that with harmony guitar parts, because guitar is my instrument and I gave them a simple and slightly somber quality, to accent the lyrics.
The other is that I shortened the chorus and used heavy effects on the vocal harmonies. I’m doing all the vocal, guitar and bass parts on this. The drums are by Stinky the Robot, my computer-based drummer, who is even more difficult to work with than a real drummer, if that’s even possible.
Gratitude
Special thanks to the following people for providing the evocative video footage that helps bring to light our social problem of the lost and disenfranchised. Homelessness and mental illness are entirely too prevalent and much more needs to be done.
We can’t be a healthy society unless we take care of our own and that means everyone, however unpleasant it might be to look into that chasm and think “There, but for the grace of God, go I.” We must do more… much more.
If you have the means to do so, please donate your money and your volunteer time to one or more of the many quality organizations that offer help to the homeless, the mentally challenged and to stray animals. Most of the people and animals on the street got there by bad luck and they deserve a second chance.
Here is my cover of The Velvet Underground’s excellent song, Sweet Jane.
The images in the video are “famous Janes”, with the exception of course of the two photos of the old Stutz brand motorcar, which is referenced in the lyrics.
All bass, guitar and vocals are me.
The drums are by Stinky the Robot… because that’s a good name for the drummer who lives inside my computer. He plays only what I program him to play, he’s drunk only half as often as a human drummer and he smells better.
The .mp3 song file is available for patrons, over at:
Nothing like a crime of passion to spice up your Saturday night. Here’s a little bit of murderous rage, tucked into a nice, folk song for ya. This is “Hey Joe”, a live cover song video by my band, Magus & The Plastic Infinity.
Words and music to the original are by Billy Roberts. Obviously, Jimi Hendrix is who made the song famous.
Guitar and vocals – Trent Boswell
Support the creation of more music, poetry and madness by Trent Boswell, at:
Many thanks to the following, for the images in the video. You may or may not like the music but if you like the video, the credit for that is all theirs.
Sometimes Nine was one of my old bands. This music video is for the song “A Thang”.
The song was mainly John’s idea but overall, still a collaboration. The lyrics were written by me. It’s called “A Thang” because it’s in the key of A and for a while, it had no name. We’d end up saying “Let’s play that A thing”. Goofy but true.
Lyrics
A Thang
Memory soothe my mind With with endearments of a time A terrain, cool and kind Where we walked, unafraid
It’s hard to find a place To keep your memory I came to the crest of forever The edge of the wheel, far gone
In search of things that I held in my hand A palace of grandeur, it stands in a land A far off way from here, a man with Cool, candied celebrations… celebrations
Still on pause, no more Now, lambent angels, by the score No wounds beyond recall And joy adorns my eyes
If you’ve watched more than a couple of my music videos, then you’ve probably already figured out that I’m not exactly the go-to guy for upbeat, happy, cheerful stuff. No, I tend to gravitate towards a gritty type of realism that often steers drunkenly over the white line, into the oncoming traffic of blatant nihilism.
But I do have my occasional moments of peace, love, joy, the ultimate beauty of life and the universe… you know, all that happy, sappy shit. This is one of them.
So, get it while it’s hot, because I don’t usually serve this particular, gourmet dish in my joint. My greasy spoon typically sells cheeseburgers and beer, with a side of kick in the groin.
From the album Flagship by Trent Boswell. Full album and individual songs are available for streaming and/or purchase, at iTunes, Amazon Music, Spotify and other music services.
Trent Boswell – guitar, vocals
Words and music by Trent Boswell
Lyrics
Home At Last
Butterfly squadron, airborne children Sweet love and flowers, rain from above Tadpole navies trade guns for babies There ain’t no death here, no lies, only love
I’m in the fields of forgiveness, To the left of the sea Towering castle awareness, Summoning me
Butterfly squadron, airborne children Sweet love and flowers, rain from above Tadpole navies trade guns for babies There ain’t no death here, no lies, only love
World is awoken; all are attending With apologies spoken, All wounds are now mending High in the sky, we can see What we’ve strived for… We’re finally free
I’m in the fields of forgiveness, To the left of the sea Towering castle awareness, Summoning me
Ocean spray wonderful Freedom to laugh We’re in the land now We’re home at last
Many, many thanks to the following, for the images in the video. You may or may not like the music but if you like the video, the credit for that is all theirs.
I truly appreciate what they’re doing because I wouldn’t be able to make these videos, without their help.
Here’s a Pink Floyd cover I did. This is the song “Childhood’s End” and it’s from their album, Obscured By Clouds.
Trent Boswell – vocals, guitar, bass
Lyrics:
You shout in your sleep Perhaps the price was just too steep Is your conscience at rest If once put to the test? You awake with a start To just the beating of your heart Just one man beneath the sky Just two ears, just two eyes
You set sail across the sea Of long past thoughts and memories Childhood’s end, your fantasies Merge with harsh realities And then as the sail is hoist You find your eyes are growing moist All the fears never voiced Say you have to make the final choice
Who are you and who am I To say we know the reason why? Some are born; some men die Beneath one infinite sky There’ll be war, there’ll be peace But everything one day will cease All the iron turned to rust All the proud men turned to dust And so all things, time will mend So the song will end
Words and original music written by Pink Floyd. I’m covering the song but I’m not charging anything for it, because seriously… who can afford Pink Floyd royalties?!
But you can support the creation of more music, poetry and madness by Trent Boswell, at:
Many thanks to the following, for the images in the video. You may or may not like the music but if you like the video, the credit for that is all theirs.
There are several tiers of support, each one with more benefits than the last, starting as low as $3 per month.
Many thanks to the following, for the images in the video. You may or may not like the music but if you like the video, the credit for that is all theirs.
I met tragedy yesterday On the south end, today He smiled at me Said “Walk this way” He took my hand, said to me “Welcome friend. You’ll be with me.”
Said “I’m pleased to know you.” Said “I’m pleased to do you.” Said “You may leave…” “You will return.” He said “You still smile, child…” “But you will learn.”
I am no hope***
I said “I want my freedom.” I said “I gotta be free.” So, I told that man… “Get the hell away from me.” I want my life I want my life I want my life Don’t need no tragedy
*** This is an unspoken lyric. It’s part of the original poem, included here for context.
When you lose control And door dogs yelp for your soul The world just frays apart But we know where to start To pull it back together And this time for the better Now we know we must let her Slip inside our minds She protects us in the climbs We climbed a little too high, Passed through the fear to die We know that space and time Is not where we stand Don’t you think we would understand? If we were supposed to know But here is the matter at hand We know how to roll We don’t need no control Over all that we have known We know how to roll
II.
The world it moves too fast Then it moves too slow And then it moves too fast But don’t you think we know The confusion that we cast It all comes back together But never quite the same Now you’ve been and you know I was there and I saw you roll I watched you lose control Over all that you had known Watched you pull it back together And this time for the better Now you know you must let her Slip inside your mind She protects you in the climbs You climbed a little too high Passed through the fear to die But we know that space and time Is not where we stand Don’t you think we’d understand? If we were supposed to know Well here is the matter at hand We know how to roll We don’t need no control Over all that we have known We know how to roll
This song is a Pink Floyd song that we did. This one isn’t very well known, except by the most hardcore Floyd connoisseurs. The tune is from an album entitled More, which was the soundtrack to an even more obscure movie by the same name.
Recorded live by Magus & The Plastic Infinity, at a club in Wilmington, NC.
Trent Boswell – guitar, vocals
Skip Eames – drums
David Fleet – bass
Lyrics
Come on, my friends, let’s make for the hills They say there’s gold but I’m looking for thrills You can get your hands on whatever we find, Because I’m only coming along for the ride
Well, you go your way, I’ll go mine I don’t care if we get there on time Everybody’s searching for something, they say I’ll get my kicks on the way
Over the mountains, across the sea Who knows what will be waiting for me? I could sail forever to strange sounding names Faces of people and places don’t change
All I have to do is just close my eyes To see the seagulls wheeling In those far distant skies All I want to tell you, all I want to say Is count me in on the journey, Don’t expect me to stay
Music and lyrics written by Pink Floyd (Roger Waters, David Gilmour, Nick Mason and Richard Wright). All rights to the song belong to someone else, someone really, really rich.
Support the creation of more music, poetry and general madness by Trent Boswell at:
When you hear that I am dead and gone Once it’s official and you’ve dried your eye I’ve only a few, very simple requests With which I do truly hope you’ll comply
Just little things but the first is important So much so, that I’ll say it, over and over You can pray or don’t, doesn’t matter a bit But remember to play Crimson and Clover
I don’t need a fancy, expensive coffin Keep the money, I don’t need a new suit Incinerate me and spread my ashes Where trees and flowers will happily root
It matters very little to me, whether or not People say they’re coming or if they arrive Just don’t allow anyone into my service That I didn’t care for, when I was alive
Unless I loved them ever so dearly Show them the door and tell them “Ciao” I never wanted them around before… I’ve certainly got no use for them now
I’d like it if everyone is happy, has a party Pouring me a libation might be nice If you do, just remember I like good tequila Or bourbon (no Scotch) and Coke, on ice
But sincerely, I don’t require any fuss at all I don’t give a damn; for me, it’s all over I really don’t care what you do, except… Original (long version) Crimson and Clover
I could provide you with a whole playlist, Of songs I adored and loved to share But attention spans… most people only Hear themselves, they don’t really care
Long story short, the bullet points are: Tequila, bourbon, fire into ashes, not a box Real friends only; not sure how to enforce (Maybe a secret handshake or knocks?)
But if you left me thirsty, in wooden crate, Invited all my least favorite people over It wouldn’t matter, if you remembered The most important thing…
Many are they Who have whispered lies Many are they Who have made me despise Many are the lies And many who have heard She knows that I could love her If not for fear of that word
You know that I’ll try Put a little sunlight in your eye You know that I’ll try Put a little shine in your smile And you know that You can come with me, anytime But you know that I have fear Of the fear and the lies
I climbed like a monkey, up in a tree Trying to find a piece of me Way up in the branches so high I found that I cannot fly… as of yet
But I’m looking for a way
I’m at fault for inciting the madness And sometimes I can’t stop the sadness But I’m learning to ride waves of joy Toward manhood moves a boy
Looking for a way
I got dizzy and fell like a lion Into the dust of Orion Those stars; the ones up in the sky; The one he made up in his mind, The one that’s still looking
You may think you’ve seen this one but you ain’t. The new, improved and at least333% strangerversion of “Perception” from the album Flagship by Trent Boswell.
Lyrics:
Perception
What’s a man supposed to do? It’s hard today just not to lose So, when I’m down and beaten blue I look around and think of you
Sink into my contemplation Answers come with concentration
And strong opinions, well I have mine And you may find me blind But I don’t mind because it’s true; I’ve never needed to see you
Walking ‘cross the field, I realize that nothing’s real No pain or joy
Out on the lawn the past is gone I simply can’t be wrong anymore
Was paid a visit, a strange man He said that Jesus could lend a hand Now many a man can’t see the road Or make a stand on his own
If God is Love, then Love is God And you agree without a nod
Video for the song “Pure” from the album, Flagship.
Pure
Stole me away into the black of my mind Brought me near the shore of insanity But then she came and swept me away Now we’re smiling; nothing left to say
God is good; God is great I’m in love and I won’t hesitate To tidy my mind and get my soul straight ‘Cause there’s nothing I want That Love can’t create
And of knowing you, I hope this is only the dawn
There’s only one thing left to be done That is to take our place in the sun Beneath the bright sky We’ll commandeer the breeze And drift through the universe Like autumn leaves
Of the world that’s brought me down You’ve been my cure Because you love me and challenge me To be pure
The audio track for “Lost In Time” is available as an .mp3 audio download but only for patrons of Magus72.
Patrons get plenty of benefits, like free stuff, exclusive content and early releases. Most important, is the satisfaction of knowing that you’re supporting the type of music, poetry and other madness that you want to see.
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Kevin Trent Boswell has many seven books of poetry published, all available on Amazon and at Conjure Work.
Kevin Trent Boswell 